Word: presentation
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Dates: during 1970-1979
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...being taken seriously, they do so as a consequence of the affirmative actions by women who put themselves on the line demanding equal opportunity and the end to sex discrimination. Without these continued efforts to combat nonconscious forms of institutional sexism, many qualified women would not hold their present positions. Political actions by both men and women are encouraging professional institutions to act affirmatively in providing women with equal opportunity. Within this context. I am at Harvard because of affirmative action. Ethel Klein Assistant Professor Department of Government
Surely the heart of racism is to attribute to groups characteristics that may occasionally, if at all, be present in a few individual members of the group. People who purport to be especially sensitive to the suffering caused by prejudice should be careful how they characterize any group of people. To orchestrate a widespread media campaign designed to represent hundreds of people as racist, sexist Nazis working in the tradition of those who would "engineer consent to genocide" indicates a moralistic opportunism rather than any appreciation of what the opposition to racism truly concerns. Surely the propositions SFTP holds about...
...Feinberg criticizes Senator Long for saying that our income tax structure is "progressive to the point of being counter-productive." It might interest Mr. Feinberg to know that at present our highest marginal tax rates generate very little revenue. Furthermore, the institution of more progressive tax structures than ours in such countries as England and Sweden has only succeeded in forcing wealthy potential taxpayers to move themselves (and their incomes) to lands with more favorable tax laws. Does Mr. Feinberg seriously want the United States to introduce such a self-defeating system? Ted Higgins...
...being and illustrators freshened their efforts to give birds and mammals moral characteristics. Perhaps the best and, ironically, the most obscure was Ernest Griset, whose influence can be seen in the works of such disparate artists as Beatrix Potter, creator of Peter Rabbit, and the whole phalanx of present-day New Yorker cartoonists. In Ernest Griset by Lionel Lambourne (Thames & Hudson; 88 pages; $8.95), even hints of Miss Piggy can be seen in the antic portraits of hogs and frogs and owls. The result is a rare pictorial biograph that shuttles between serious analysis and pure nonsense...
Finally, however, Redford the musical comedy director goes home and Redford the Shakespearian director returns. The last scene is as difficult to present as the eye-gouging scene in King Lear. Redford stages it identically to the courtroom scene, with Hermione on a pedestal above the rest of the players. It is a beautiful idea, uniting the play--allowing the virtue of Hermione to conquer all this time around. Clemenson once again masters the complexity of his role, as he wondrously discovers that the statue is in fact his living wife...