Word: presented
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Dates: during 1990-1999
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...actually come up with something rather new. You've got the sampling going on--a catchy rendition of the nursery-school rhyme "Georgy-Porgy" is repeated again, and again (and again . . .) in the second track of the same name. The soulful voices of several female background singers are present in almost every track, and yes, expect some rather sketchy lyrics like "Oohh oohh, baby please, baby please" (from "Something Real") and Jerry Springer-esque songs like "Loving Your Best Friend" to, er, excite the listeners. But Eric Bent is more Luther Vandross than Puff Daddy, a phenomenon probably...
...weeks in 1999? (While that might seem like a lot of time, it really isn't for an only child who talks to her parents every other day.) Because I want to eventually live in California, for me it represents the past and the future, but not necessarily the present...
...year, most Harvard students (perhaps including myself) are moving onward and upward, working hard on papers and problem sets, gaining leadership in campus organizations and keeping their eyes on the future. But for me, this summer will be about the present. It will be a time for me to live in the moment at Harvard--a luxury that I often don't have during term time. I won't have to worry about the next assignment, the next Crimson deadline, or the next SAA event. I'll have the autonomy to do things I've always wanted to do, from...
...central villain as a piecewise amalgamation of three distinct personalities. Although one should be suspicious of any theatrical performance that is compelled to provide a verbose description and justification of the director's interpretation in the program, Packer relies more on the performance than the program to present her concept of the three Richards convincingly...
...focus of his novel, he does not infuse enough of this music into his language and text. Ormus' songs lie flat on the page, and Rushdie's descriptions of VTO's music often leave more questions than answers. Rushdie also fails to deliver completely on his promise to present a rock version of Orpheus and Eurydice. Though he invokes the myth to great effect at the beginning of the novel, the theme is ultimately neglected. Perhaps Rushdie stretched himself too much by venturing into the world of rock, a realm he seems to know a bit about through association...