Word: presenter
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Dates: during 1990-1999
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Milos Forman's film Man on the Moon, and Jim Carrey's performance as the artist constantly in question, don't attempt to answer that conundrum. Both merely present Kaufman with a dispassionate, ultimately hypnotizing objectivity. It is very possibly the best work each man has done, and assuredly the best thing screenwriters Scott Alexander and Larry Karaszewski have done in a joint career devoted to odd fellows--Ed Wood, Larry Flynt--coolly observed...
General relativity completely changed the discussion of the origin and fate of the universe. A static universe could have existed forever or could have been created in its present form at some time in the past. On the other hand, if galaxies are moving apart today, they must have been closer together in the past. About 15 billion years ago, they would all have been on top of one another and their density would have been infinite. According to the general theory, this Big Bang was the beginning of the universe and of time itself. So maybe Einstein deserves...
...well be true that crisis and war provide a unity of purpose and an opportunity for leadership that are rarely present in more tranquil times. But as the history of other countries illustrates, war and domestic upheaval are no guarantee of positive social change. That depends on the time, the nation and the exercise of leadership. In providing the indispensable leadership that preserved and strengthened democracy, Franklin Roosevelt emerges as the greatest political leader...
...reminder of what was old and splendid, and also a fresh, imperative summons to make the present worthy of remembrance...
Lost in the bogs of Celtic myth, Yeats--unlike many of his peers in the modernist pantheon--was not much interested in modern design and architecture's streamlining ways. Or in the ability of books and magazines more and more perfectly to replicate artistic icons past and present. Or in the capacity of the movies to create their own time and space, independent of observed reality. We must imagine him, instead, mourning with the great critic Walter Benjamin the destruction of the artwork's "aura" or magic, deriving from its uniqueness, its firm roots in a specific historical place...