Word: presentments
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Dates: during 1950-1959
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...sent to freshmen listing 22 proposed study groups. Entitled the "Freshman Seminar Program," the groups will include a total of 150 to 175 freshmen, who in many cases need qualify only with "enthusiasm and lively interest." Despite the fact that the program has been established well enough to present a seminar curriculum, the ideas and opinions of its organizers are still in a state of flux. Approach a dozen men leading seminar groups and a dozen different ideas can be gleaned on what should be done...
...doubtless, too, in many formal exchanges. As Dean Bundy puts it, "we get an uncommonly large and peppy group of people here, and many of us have felt a continuing need to find new ways of sustaining the excitement these people have when they come to Harvard." Under the present set-up--the inference seems quite apparent, if not explicit--this excitement is not always sustained. Freshmen find themselves suddenly thrust into huge lecture-courses, and (once again in Bundy's words) "the meaning of the course is somehow lost in the taking of it...The Faculty is an exciting...
Having forsworn the part of Hamlet a few years ago, Gielgud now says he will not play Benedick again after this production finishes its present run on Broadway. When someone objected, he replied, "I'll always be left with Lear and Prospero...
...company then offered, under Basil Langton's direction, a 55th anniversary production of Sir James Barrie's classic fable for both children and adults, Peter Pan. As Peter, who has from Maude Adams to the present always been played for some reason by a woman, Miss Harris was captivatingly pixyish. Eric Portman might have brought more bravado to the traditional double role of the Father and Captain Hook. Ellis Rabb provided an unbeatably riotous Smee, an elaboration of the Starveling he did in Midsummer Night's Dream at Stratford a year ago. The production employed the original music of John...
...Flower-Bed, written in 1952 by the late Italian dramatist Ugo Betti. Betti has been hailed as a greater playwright than Pirandello; he is certainly not that, but he does deserve a place among the most important modern writers for the theatre. This play deals with the problem of present-day nihilism and international political diplomacy. If it did not lapse periodically into propagandistic sermonizing, it would be a masterpiece...