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...employees at Clay Aiken's record label, RCA, if they would listen to Aiken's debut album, Measure of a Man, by choice, and the response is almost uniform: a lengthy pause followed by laughter. RCA was the home of Elvis Presley, and its current roster includes critical favorites like the Strokes and the Foo Fighters. It's a rock label. Aiken, who came in second on the most recent installment of American Idol, is not only not a rocker, but, as he says in his aggressively self-deprecating way, "I'm not an artist. I'm just...

Author: /time Magazine | Title: Music: Building A Better Pop Star | 10/13/2003 | See Source »

...stature Cash embodies is not so much out of fashion as above it. His CDs are found in the country section of the music store, but he doesn't quite fit there. He came up with rockabilly phenoms like Elvis Presley, Carl Perkins and Jerry Lee Lewis, but few of his songs were hard-driving rave-ups. I Walk the Line, Ring of Fire, Folsom Prison Blues--these are, if anything, contemporary folk songs. Cash sang of specific injustices and eternal truths; he was the deadpan poet of cotton fields, truck stops and prisons. He was a balladeer, really...

Author: /time Magazine | Title: Music: The Man In Black: JOHNNY CASH (1932-2003) | 9/22/2003 | See Source »

...school, Cash worked at an auto plant in Pontiac, Mich., and in 1950 joined the Air Force. He came home, married Vivian Liberto and settled with her in Memphis, Tenn. This was in 1954, and by the next year he had a deal with Sun Records, which had launched Presley's career. Hey, Porter, backed by Cry, Cry, Cry, was his first hit. Around that time, with the help of Phillips and producer Jack Clement, Presley (who would shortly move on to RCA Victor and megastardom) and two other young men, Perkins and Lewis, would create the rockabilly branch...

Author: /time Magazine | Title: Music: The Man In Black: JOHNNY CASH (1932-2003) | 9/22/2003 | See Source »

...After Presley's contract was sold to Colonel Tom Parker for $25,000, Perkins had a pop-and-country smash with Blue Suede Shoes, and Lewis followed a year later with the primal boogie Whole Lotta Shakin' Goin' On. On Dec. 4, 1956, Cash joined the rockers, now known as the Million Dollar Quartet, for an impromptu jam session. Astonishingly, Lewis--the all-time most reckless rock 'n' roller, whom Cash flew in to comfort when Lewis nearly died in the '80s--is the last man standing. "You know," he said in sad wonder last week, "I'm the only...

Author: /time Magazine | Title: Music: The Man In Black: JOHNNY CASH (1932-2003) | 9/22/2003 | See Source »

...respiratory failure, in Memphis, Tenn. In the '50s Phillips' Sun Records in Memphis was the home of raw genius, both black (Howlin' Wolf, B.B. King) and redneck (Carl Perkins, Johnny Cash, Roy Orbison and that holy hellion of rockabilly, Jerry Lee Lewis). One day an 18-year-old Elvis Presley went to Sun's studio to record two songs for his mother and was soon vamping on the Arthur Crudup tune That's All Right. Phillips legendarily remarked, "That's a pop song, just 'bout." Pop as in a pop-music explosion. Phillips didn't sing or play an instrument...

Author: /time Magazine | Title: Milestones Aug. 11, 2003 | 8/11/2003 | See Source »

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