Word: presleys
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Dates: during 2000-2009
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Harvard scientists have also felt the pressure to avoid bumping up against the new ethos of secrecy and censorship. Presley Professor of Microbiology and Molecular Genetics R. John Collier is one of the nation’s foremost anthrax researchers. He worked on anthrax for years before white powder in the mail became a national obsession. New federal laws regulating research on things such as anthrax led Collier to destroy his only samples of anthrax to “avoid attracting terrorists and more of the press than I wanted,” he told The New York Times...
...understanding of this disease down to the molecular level. - Caroline Kovac, general manager, IBM Life Sciences. People will do everything they can to get the sort of kids they want. Cloning will become commonplace. Imagine, you?ll be able to get your own Marilyn Monroe, James Dean or Elvis Presley. - Rick Smolan, founder and CEO, Against All Odds Productions...
...think, too, that Presley's sexy swiveling was as much an anachronism as an innovation. Elvis was, at heart, a song-and-dance man. In the Big Band days, singers would come forward after the band's opening refrain, perform the vocal and sit down. Country stars kept busy strumming guitar; blues shouters had the piano to bang on; and crooners like Bing Crosby and Perry Como ("Perry Coma" in Harvey Kurtzman's Humbug parody of America's most popular TV star of the mid-50s) just stood around and smiled. Elvis, in the instrumental interludes between his singing, simply...
...kids got it: they picked up on Elvis' sexuality, his vitality and fun. Adults thought kids picked up an infection too. The same cultural paranoia that had parents burning horror comic books in 1954 had them calling for a TV ban on Elvis the Pelvis, and Presley was obliged to tone down his moves when, on "The Steve Allen Show," he sang "Hound Dog" in a tuxedo to an actual hound dog (in a tuxedo). In a revealing press comment in Charleston, S.C., the week before the Allen show, Elvis put his music and his performance style into cultural contest...
...Brando had it easier than Presley; for in pop, more than in acting, it's tough to remain in the vanguard. Consider the four overlapping phases of Elvis' music. Phase 1: At Sun Records, he borrowed blues from blacks and country songs from rednecks, passing them along to the huge middle-class. Phase 2: He got sharp material from top young songwriters (primarily Leiber-Stoller and Otis Blackwell) that he could make his own. But early rock didn't allow for much variety: 12-bar blues, 16-bar pop song. Phase 3 began in late 1957, when every songwriter...