Word: presse
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Dates: during 1960-1969
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...reassuring to know there are still men with a clear understanding of our problems and wisdom to press for sensible solutions. I agree that today's youth movement is more filled with hate than idealism. Amid the shouts and tumult, they are begging for guidance, for a firm hand. Their fathers had failed them. University administrators and officials who yield to their unreasonable demands are also failing them. To these "revolutionaries," permissiveness and overindulgence by both parents and society is not a sign of love, but of weakness and decay...
...once again on a daily schedule, and the CRIMSON soon began to regain its former health. In 1919, the paper bought the 20-year-old Harvard Illustrated, a pictorial journal, and thenceforth published a bi-weekly photographic supplement. The next year, the progressive board also purchased a new press, which made the addition of a fifth column of news possible...
...during the past five years. the most important changes have been in the CRIMSON'S organization. In the early summer of 1965, the paper bought its own press and linotype equipment from the printing company next door, which had been doing the CRIMSON on a contract basis for decades. The purchase gave the CRIMSON much added flexibility. In February, 1964, it printed 104 pages: a year later under the new arrangement, it printed 142. The average paper became eight rather than six pages...
...some sub-dean, though not before smiling a smile which must have been her only defense that day, a smile that said, "Dear Nathan, these freshmen of yours, they might be amusing if they just weren't so hopelessly appalling." Oh, well. Go anyway. Except for Meet the Press, it's about the only time you'll ever get to hear Pusey speak...
...Rome and Federico Fellini, designed and executed for Satyricon, his first full-length film in four years. It may be the most glorious bacchanal in the history of the cinema. At its opening last week at the Venice Film Festival, that promise seemed to be fulfilled. The normally reserved press corps gave the film a five-minute ovation, and the first-night audience was equally wide-eyed. Wrote one critic: "Satyricon is like an Atlantis that has emerged from .the deepest roots of the soul to mark the return of Fellini...