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...movies gets prettier and prettier, Celie's life gets worse and worse. Her new husband beats her and separates her from her best friend and sister, Nettie (Akosua Busia). "Mister" (Danny Glover), as she affectionately refers to her betrothed, proves to be a real downer: he steals Celie's mail, sleeps around with other women, and makes his wife do ninety-percent of the work on their farm. At the film's halfway point, Celie is still cleaning vividly-hued ketchup and mustard stains while the tyrant goes off to try to rekindle an old romance with a famous blues...

Author: By Jeff Chase, | Title: The Color Too Purple | 1/31/1986 | See Source »

...wouldn't she be? Looking like a young and slightly prettier Shirley Jones (an image that is heightened by a movie that's as episodic and nearly as plausible as The Partridge Family), Miou-Miou plays Alice, a woman who spends three days a week in Paris with her airline pilot husband Philippe (Roger Hanin) and three days a week in out-of-the-way Trouville with her other husband, school-teacher Vincent (Eddy Mitchell...

Author: By Elizabeth L. Wurtzel, | Title: A Testimony Against Men | 11/8/1985 | See Source »

...Quad, the University is making lurching progress. Three years from now, after all the dust has settled. Cabot House residents will enjoy much bigger and prettier rooms. Once a donor is found to rebuild North House, it may be brought up to parity with its River counterparts. Those are great first steps. Still, the less concrete issues of how the preferential lottery works against Harvard's diversity, and how undergraduates feel about House life today, have yet to be addressed...

Author: By Peter J.howel, | Title: Face the Facts | 2/14/1985 | See Source »

...small nation. But for our entire history Prague has been the shield and symbol of Czechoslovakia. Outsiders have always tried to bring Prague down with military force. We have always resisted. That is why we love Prague, in addition to its beauty. Besides, it is prettier than New York...

Author: /time Magazine | Title: Czechoslovakia: A Poet Speaks of Art and Liberty | 12/17/1984 | See Source »

Luminous earlier this year in Serenading Louie and Other Places, Wiest is still no sexpot, no Marilyn; truth to tell, Langella is prettier than she is. More over, she affects a wispy giggle that mimics Monroe and every little girl lost from Susan Alexander Kane to Judy Garland. Yet Wiest has managed to bleach the intelligence out of her face, leaving only a cunning child with the look of a battered seraph. This is no flesh-and-blood performance; it is pure, chilling marrow. Emotional striptease is what such acting is all about. But perhaps not play writing...

Author: /time Magazine | Title: Theater: Wounds That Will Not Heal | 10/15/1984 | See Source »

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