Word: previn
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Mellowness and maturity have come to that jack-of-all-musical-trades, Andre Previn. He is 37 years old, and it is hard to believe that he was about half that age when MGM in 1948 assigned him to compose, score and direct the music for a $3,000,000 Jeanette MacDonald movie. Since then, he has plucked four Oscars for scoring Gigi, Porgy and Bess, Irma La Douce and My Fair Lady. Now Previn is changing, and so is his career. "The boy-wonder thing is over," he mused last week. "I have decided to concentrate on conducting...
...Previn has signed to conduct 60 concerts with various U.S. orchestras in the 1966-67 season, eight with the Houston Symphony. In two of the concerts, he will play the piano and conduct from the keyboard. He is also composing his first Broadway musical, Coco, about the life of 83-year-old Parisian Designer Coco Chanel, in which he is collaborating with Alan Jay Lerner. He has contracted with RCA Victor Red Seal to score either two pop or two jazz albums a year, and to do four conducting jobs a year...
...reach, the remaining 13 candidates were put through a musical obstacle course: they had to conduct the first movement of Berlioz' Symphonic Fantastique, Debussy's First Rhapsody for clarinet and piano, a recitative and aria from Beethoven's Fidelio, and a surprise modern piece-Andre Previn's Overture to a Comedy-for which they were given only 30 minutes to prepare. Said Concertmaster Gabriel Banat: "It was a harrowing experience for them and a merry-go-round...
Jazz is a language, and a number of Broadway and Hollywood scores have recently been translated into it, or at least rephrased with a jazz accent. The results, while not always pleasing the jazz clique, have made a running start toward the pop charts, where André Previn's My Fair Lady and Louis Armstrong's Hello, Dolly! led the way. Some new pop-jazz releases...
...FAIR LADY (Columbia). The sculptor Pygmalion stopped after producing one fair lady, but Columbia Records has no quota. There is a Fair Lady to swing to (by Andre Previn), another to sway to (by Sammy Kaye), one to weep by (Andy Williams), and one to sleep by (Percy Faith). There is also the new movie soundtrack, which has Rex Harrison in fine, fierce fettle. But Soprano Marni Nixon, dubbing in the voice of Eliza for Audrey Hepburn, sings with more finish than fire. Lovers of Broadway's fair lady, Julie Andrews, will insist on the original-cast recording, which...