Word: prewar
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...major figures in prewar expressionism--Kirchner, Kokoschka, Nolde, Schmidt-Rottluff --are here at full stretch, with works that have rarely or never been seen outside Germany. It would be hard, for instance, to find a better epitome of the expressionist vision of relationships between humans and nature than Kirchner's Striding into the Sea, 1912, with its naked lovers swept up in a kind of decorative pantheism, at one with the flouncing breakers and sharply writhing sand dunes of the Baltic shore...
...populace and even putting on false beards. But no more than a carnival did it 'solve' anything." Vladimir Nabokov, she notes, treats the Russian language "as a national treasure the usurper Bolsheviks appropriated from him, to turn over to the rabble." She ponders the absence of important fiction in prewar Germany: "Common sense tells you the way things are, rather than the way your covetous ego or prehensile will would like them to be. And the sparsity of novels, the great carriers of the reality principle, may help to explain German defenselessness in the face of National Socialism...
Would we ally ourselves today with the Soviet Union to fight a right-wing dictator? We now support oppressors like Augusto Pinochet in Chile as long as they are anti-Soviet. If this were prewar 1938, we would be looking for a similar deal with Hitler...
...matter-of-fact story, more parable than novel, is the dissolution of life at the imagined spa. In volume after volume the author has been obsessed with the time of clouded horror just before the Holocaust. Two previous novels, Badenheim 1939 and The Age of Wonders, take place in prewar Austria. Tzili: The Story of a Life is a fictional account partly based on Appelfeld's escape from a concentration camp at the age of nine and his three years of hiding from the Nazis in the Ukrainian countryside...
...ngler, has been banned from performing until he can prove himself innocent of being a Nazi sympathizer. Onto his podium steps a 33-year-old music, mathematics and philosophy student from Rumania named Sergiu Celibidache. Despite his lack of professional experience, Celibidache more than restores the orchestra's prewar luster. "A baton genius, beyond any doubt," declares one Berlin critic. Only his former teacher at Berlin's Hochschule für Musik, Heinz Tiessen, fails to join the praise. "My, what an idiot you are," Tiessen tells him. "You are making effects, not music...