Word: prey
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...KNOW the situation. It's Saturday night, Madame Baltin, your latest romantic prey, has become tantalizingly available with the departure of her attendant herr, but you have a lingering engagements with pesky Ida (Carolyn Casanave). Despair not if you are Baron Ferdinand Rommer (Rex D. Hays): just have ever-solicitous Gaston ring with some appropriately vague but familiar explanation--"affairs of state" and all. Cole Porter, you certainly know your noble playboys well...
...nurse." He resolved to use part of his MacArthur Foundation "genius" grant to help finance The Brother from Another Planet, a $350,000 satire about a black extraterrestrial who lands in Harlem. A white man shooting in Soultown with a cast that was 80% black could easily fall prey to presumption and condescension. The pleasant surprise of The Brother is how gracefully Sayles earns smiles and sympathy for his hero (Joe Morton) and his lank, loping comedy. In a rattling subway car, a cardsharp announces his next trick-"Wanna see me make all the white people disappear?"-as the subway...
...blood-red sun was just peeking over the eastern ridge of California's Mojave Desert when the space shuttle Discovery began to descend like a silver hawk in search of prey. As it shattered the sound barrier, a thundering crack! seemed to rend the sky in two, and a cheer swelled from the crowd below. Within minutes the ship had rolled to a halt along the right side of the runway at Edwards Air Force Base, kicking up massive clouds of dust. Not since the landing of the first shuttle had NASA officials been so openly emotional. Said Mission...
Teddy Pierce (Gene Wilder) is a sound husband, father and junior executive who, at a glance, falls prey to an obsession with the leggy Woman in Red (Kelly Le Brock). He is also the leading player in one of this summer's more pungent pleasures: a well-made sex farce of classical proportions. If there is a horse to fall off or an airplane forced to land at the wrong airport, you may be sure Teddy will be aboard...
PAUL VERHOEVEN'S thriller opens with a shot of a screen-sized spider devouring its helpless prey. The movie ends on the same picture. While the two hours in between are entertaining enough a witty and sometimes outrageous romance complete with homosexual obsession, witchcraft, and enough lurid fantasy to earn the picture an X. The Fourth Man is nonetheless predictable and studied, almost like a computer's wet dream...