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Tchaikovsky and Verdi Arias, Dmitri Hvorostovsky, baritone; Valery Gergiev conducting the Rotterdam Philharmonic (Philips). Hvorostovsky, 28, has a voice that is big, rich and -- most important -- silky smooth. There hasn't been a baritone with this force and allure since the young Hermann Prey...

Author: /time Magazine | Title: Best of '90: Music | 12/31/1990 | See Source »

Steve the Tramp is described as a "reeking piece of filth" and a "public enemy" who will "use and abuse any young helpless prey he comes across." Most amazing of all, Steve the Tramp is also a child's toy. The 5-in. figurine, manufactured by California-based Playmates Toys, depicts a ragged street character from Disney's hit movie Dick Tracy. But the Rev. Christopher Rose, an Episcopal priest in Hartford who works with his city's homeless, thought Steve the Tramp's grotesque villainy was a cruel attack on his unfortunate clients. Particularly incensed by the lurid resume...

Author: /time Magazine | Title: TOYS: Steve's No Role Model | 12/31/1990 | See Source »

...Deceptive Mailings Prevention Act of 1990, which was signed this month by President Bush, bans mail solicitations that masquerade as government notices and prey particularly upon the fears of the elderly. Last January a New York State law went into effect that barred retail stores from keeping records of the addresses and phone numbers of customers who use credit cards. The practice is intended to verify identifications, but it is increasingly used to compile mailing lists, which are then rented...

Author: /time Magazine | Title: Direct Mail: Read This!!!!!!!! | 11/26/1990 | See Source »

LIFE DURING WARTIME. Keith Reddin's mordant comedy at California's Berkeley Rep depicts war outside the front door: burglars, muggers and other paranoia inducers who make homeowners yearn for security, and alarm salesmen who prey on their fears...

Author: /time Magazine | Title: Critics' Voices: Nov. 26, 1990 | 11/26/1990 | See Source »

...objects fell into disuse and were in danger of destruction only because white settlers had progressively wiped out the Native American population over the last century. As Omaha culture was destroyed, the artifacts were no longer valued. They were, therefore, easy prey for eager anthropologists...

Author: By Laura A. Dickinson, | Title: Ending Art `Trusts' | 11/10/1990 | See Source »

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