Word: priapic
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...come off a cruise ship, where he works as an assistant waiter, to the Buenos Aires flat that his reclusive, much older brother Tetro (Vincent Gallo) shares with mistress Miranda (Maribel Verdú). Tetro, a budding writer, had walked out on the family after a fight with his domineering, priapic father Carlo (Klaus Maria Brandauer). Carlo, a famous conductor who hounded his own musician brother for being less successful, had stolen Tetro's dancer girlfriend and taken her as his second wife. Bennie discovers an unfinished play of Tetro's, written in code, about two generations of animosities and betrayals...
...didn't sign Bettie. The story goes that she was sent packing after she rejected a studio executive's horny attentions. By her own account, it was not the first or last time that she had to decide whether to submit to a man's priapic predations. Late in life she declared that her father had sexually abused her as a child. She also described an incident in New York where a young fellow asked her if she wanted to go dancing and, when she got in his car, took her to a spot in Queens where she was forced...
...abreast of technology, is keenly aware that failed states harbor Britain's enemies, and has even given up smoking ("I can blow someone's head off, but I can't light a good cigar," growled current Bond actor Daniel Craig). Moreover, though still a ladykiller - sometimes quite literally - the priapic secret agent has morphed from infamous misogynist to indiscriminate misanthrope. He's discovered sexual equality, and so, it appears...
...never did lose their power. In 1980 the sham-soul duo the Blues Brothers, a.k.a. Dan Aykroyd and John Belushi, took Soul Man to No. 14. Those Hayes-and-Porter/Sam-&-Dave collaborations remain anthems for any guy who's had too many beers or is surrendering to the priapic imperative...
...premise, of sorts, but as writer-director Adam Brooks's Definitely, Maybe galumphs along, it is not a particularly romantic or comedic one. Of them all - Hayes included - only Fisher's character has real spunk, although Kevin Kline (unbilled but not uncredited) contributes some snappish cynicism as a priapic professor and big thinker. Fisher has most of the few good lines the movie offers. She's a bit of an enigma, too. How can such an obviously bright young woman be so endlessly feckless...