Word: priestess
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DIED. NINA SIMONE, 70, fiery, eclectic singer and classically trained pianist who was known, somewhat inaccurately, as the "high priestess of soul"; of undisclosed causes; in Carry-le-Rouet, France. Born Eunice Waymon (she changed her name so her mother wouldn't catch on to her pop career), the onetime aspiring concert pianist and self-described "diva" had only one hit single--I Loves You Porgy in 1959--but gained a following in the U.S. and Europe for her alternately smooth and gravelly tones, majestic stage presence and maverick opinions. Bristling at mainstream pop-music labels, Simone called her music...
...contest for macho supremacy, I knew I could not hold par with this Amazonian motorcycle high priestess. For God’s sake, Stith was donning a real motorcycle jacket, whose tough black leather had been worn rugged by a thousand rides, whereas the clubby leather jacket I was sporting had barely a crease to show for its one-time trek halfway across the world from some Sri Lankan factory to my dorm room closet...
...heart on its sleeve. A waitress at the Two Windmills cafe in Paris, Amelie Poulain (Audrey Tautou) is one of the legion of shy solitaries that few people seek out and fewer movies think to put at their center. But inside this gamine child of 23 is a priestess of the imagination, a ruthless schemer, a canny do-gooder, a lover. She has mischief in her, and a kind of secular sainthood...
...vanguard of New York conceptual art before the term “conceptual” even existed. Well before her 1969 marriage to Lennon, perhaps the decade’s most memorable “event,” Ono had already been nominated “The High Priestess of the Happening” by the Liverpool Daily Post. Her collaborators and friends included John Cage and La Monte Young, along with other luminaries of the international avant-garde, while her work had caused scandal from Trafalgar Square to Tokyo...
...episodic affair, with some scenes working and others missing the mark (Southern himself disliked an amusing auction sequence written by and featuring a young John Cleese). Unlike the aforementioned psychedelic comedies, the cameos here produce intentional laughter. Laurence Harvey, Christopher Lee, Yul Brynner, and Raquel Welch (as "the Priestess of the Whip") all seem to having a hell of a good time - generally a dangerous sign for a comedy ("Yellowbeard," anyone?); here, however, the audience...