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Word: priestesses (lookup in dictionary) (lookup stats)
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That night, Micah drops in on a traveling tent show to sneer at the worshipers of the pagan gods, Astarte and Baal. But one gander at luscious Lana Turner, High Priestess of Astarte, and Micah is aquiver...

Author: /time Magazine | Title: Cinema: The New Pictures, may 23, 1955 | 5/23/1955 | See Source »

Opening in Norma, Bellini's old and faded drama of the Druids. 30-year-old Soprano Callas lived up to her reputation. With her lissome figure handsomely clad in white and crimson, she looked almost too young and beautiful to be a pagan high priestess. She made a minimum of movement onstage, achieved precise dramatic effects by the tilt of her head or the angle of her body, but also electrified the crowd with slashing moments of violence, as when she confronted her faithless lover in Act II. Her voice ranged from flutely pianissimos that penetrated to the last...

Author: /time Magazine | Title: Music: Soprano Triumphant | 11/15/1954 | See Source »

...biggest movie sales tag in history), and a sequel to The Robe called Demetrius and the Gladiators. Others include The Big Fisherman (Columbia), The Galileans (Universal), The Story of Ruth and The Song of Songs (Charles Feldman), The Prodigal (M-G-M)-in which Lana Turner plays a priestess of Astarte...

Author: /time Magazine | Title: Religion: Scripture on Wide Screen | 6/14/1954 | See Source »

Soprano Gamut. Next night came the company's first Norma in nine years. Written in 1831, Norma was one of the last of the bel canto operas, designed chiefly for vocal acrobatics. The scene is Gaul of the Druids' day. Norma is a high priestess who has broken her vow of chastity and borne the Roman proconsul two children, only to find that he really loves a younger priestess. Much of the melody is limp as a drink of water and the harmonies have the simple severity of Stonehenge, but fastidious fans love...

Author: /time Magazine | Title: Music: Tired & Happy | 3/22/1954 | See Source »

...stage world, Japan's Kabuki theater is a respected example of traditional dance-drama. Its beginnings go back more than 350 years to an Izumo priestess, O-Kuni, who is said to have developed the Kabuki theater from ceremonial shrine dances. At first, most of O-Kuni's female players were young courtesans, and as time went on, their costumes, gyrations and behavior developed an air of such gay abandon that "many people were led astray," say Japanese authorities. In 1629, women were forbidden to take part in the Kabuki theaters, and male actors have played...

Author: /time Magazine | Title: The Theater: JAPANESE IMPORT: THE DANCE-DRAMA | 2/22/1954 | See Source »

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