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...that generally just aren't what they once used to be. Celia, a childless, tired woman, her hair--as described by her own mother--a gaudy "change-of-life red," tries to force the conversation to include herself. She gossips about the neighbors, laments the marriage of the parish priest, tells of her failed attempt to break into the movies, in desperation reveals the details of two previous nervous breakdowns. She then goes through her old dance routine ("Hollywood and Vine" is the name of the song) to her husband's embarrassed outrage ("If you can't act civilized...

Author: By Gregg J. Kilday, | Title: Towards a Comedy of Lost Possibilities | 10/28/1971 | See Source »

...youngest son of a prosperous Dijon gynecologist (Daniel Gelin) and his Italian wife (Lea Massari). Laurent's brothers are well-bred juvenile delinquents, but despite a pronounced affection for mischief, Laurent is different. Hardly into adolescence, he reads Camus and writes essays on existentialism that vex his schoolmaster-priest (Michel Lonsdale). Father Henri further advances his pupil's education by making tentative homosexual advances during confession, and Laurent's brothers chip in to buy him a bout with a tolerant whore. Laurent-perhaps because of all this frenetic activity-develops a heart murmur, which requires prolonged...

Author: /time Magazine | Title: Cinema: I Remember Mamma | 10/25/1971 | See Source »

...only real debate in the Synod so far has been between those who consider the priesthood a divine gift defined by revelation and those who stress the priest's duty to be active in social reform. In his opening presentation, Germany's Joseph Cardinal Hoeffner insisted that Jesus Christ did not intend to "establish a purely human solidarity with the less privileged as though he were a 'revolutionary' on the point of overturning existing social conditions." This view was disputed by Bernard Jan Cardinal Alfrink of The Netherlands. In his view, it represented "Christ...

Author: /time Magazine | Title: Religion: Strengthening Paul's Hand | 10/18/1971 | See Source »

FOUR NIGHTS OF A DREAMER Robert Bresson? Surely not the Robert Bresson. The director whose work (Diary of a Country Priest; Mouchette) has the bite and permanence of a woodcut? It seems inconceivable that Bresson could have confected this pastel romance. Everything in it has been said before in cheap yellowbacked French novels. A boy, Jacques (Guillaume des Forets), spies a girl, Marthe (Isabel Weingarten), on the bank of the Seine. Marthe is in tears; her lover has abandoned her. She consoles herself with Jacques. Hélas, the affair is only a dream; in the end it is shattered...

Author: /time Magazine | Title: Cinema: Festival (Contd.) | 10/18/1971 | See Source »

...Even as a young parish priest, Mindszenty was no stranger to jails: he was imprisoned for his outspoken opposition to the short-lived Communist takeover of Bela Kun in 1919. His rise in the Catholic hierarchy was a reward for his unflinching loyalty to the church and the people of Hungary, both of which he defended against a grim succession of political tyrannies. During World War II. he fearlessly denounced the Nazis and aided Hungarian Jews; finally, in 1944, Hungary's Fascist regime imprisoned him. After the war, by then a Cardinal and the nation's highest-ranking...

Author: /time Magazine | Title: Religion: End of a Private Cold War | 10/11/1971 | See Source »

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