Word: prim
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Dates: during 1970-1979
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...Wilson, whose intrepid, chunky comic -strip hero survives a series of boyhood crises. Pilgrim's Regress, edited by Joel Wells (Thomas More Press; 127 pages; $8.95), is a collection of cartoons both secular and otherwordly, selected from the pages of the liberal Catholic journal The Critic. Here a prim stewardess warns a passenger, "You can't read erotic books while we're in Irish air space," and two dour leprechauns, spotting a leprechaun bishop under a toadstool, observe. "So much for our carefree, puckish way of life." Funny fauna inhabit Animals, Animals, Animals, edited by George Booth...
...Follette is sometimes too subdued, Jerauld is all too often not subtle enough. She plays the prim, proper and meddlesome Sarah with a repertoire of grandiose and stereotypical gestures and inflections. Except for her garden conversation with Ruth, most of Jerauld's performance is forced and contrived. Prum, on the other hand, turns in a controlled, clearly delineated and uniformly excellent portrayal of Sarah's husband...
...film is not entirely cliché-free. The character played by Mason is a fairly standard woman-doctor stereotype: pretty but prim, with deep-frozen attitudes toward men and a sharp tongue, at first, for the handsome radiologist (Michael Brandon) who wants to cuddle. Oddly, it is the teen-age romance that escapes stereotype: the scenes between Buffy and her boyfriend (Paul Clemens) are remarkably real and touching. In balance, the film is decent and compassionate, and truthful enough not to disguise too much the fact that truth can hurt terribly. -John Skow
Forget about that scene in the movies when the pin-striped boss looks at the usually prim secretary and exclaims, "Why, Miss Smith-Mary-you have taken off your glasses!" Nowadays, it is likely to be a Ms. who is doing the noticing. The woman boss, once a corseted cliche in man-tailored suits, has begun to win a reputation for eying the boys in the office. That is the conclusion of a study by two U.C.L.A. psychologists, Barbara Gutek and Charles Nakamura, called "Sexuality and the Workplace." Men, they report, have joined women as victims of sexual harassment...
Banality aside, the love story suffers from Carradine's performance. Once more he is playing the corruptible innocent he already created in Nashville and Pretty Baby. This humorless characterization has calcified: instead of being boyishly naive, Carradine is just pompous and prim. Certainly he is no match for Vitti, who has rarely seemed as radiant and emotionally full-blooded as she is here. With smoky eyes and a voice to match, she reduces her co-star to the stature...