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Word: primal (lookup in dictionary) (lookup stats)
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...arced one afternoon on the only thing he missed from his previous life in Philadelphia, namely Springtime. Merilee had mentioned la primavera and he started shouting The Primal Verities! and went running into the garage with Girl and Alfred galumphing along behind...

Author: NO WRITER ATTRIBUTED | Title: No Headline | 4/1/1970 | See Source »

Garcia Márquez's women are magnificent. Stern, stoic, preserved by duty and the dynastic urge, they struggle to keep their men sane. The primal mother Ursula, even at the age of 100, is so sure of her ways that no one realizes she is blind...

Author: /time Magazine | Title: Books: Orchids and Bloodlines | 3/16/1970 | See Source »

Miller's crapulous expatriates have a vitality that even Strick cannot quash. Their scatological, X-rated fury at a world that has the audacity to be imperfect is still molten. And their alternate curses at and apostrophes to the female pudenda retain a primal humor. But anyone who has read or watched the real Henry Miller knows that the author possesses a sly, ribald wit that is entirely absent from Rip Torn's somnambulistic impersonation. Leeching meals and wives from the bourgeois, Miller-Torn provides neither charm nor intelligence; it is impossible to believe that he would...

Author: /time Magazine | Title: Cinema: Woodshed Sex | 3/2/1970 | See Source »

...mature fruit of Warren's triple poetic preoccupation-and a little masterpiece. In it Warren defiantly turns his back on this grubby century, on what he calls this "moment of mania," and plunges back into the wilderness-America's Garden of Eden-to retell a primal myth. In a sequel of seven comparatively short poems, he takes Naturalist and Bird Painter John James Audubon as a kind of frontier Adam, sketching in his 19th century life as a drama of innocence, guilt and final redemption...

Author: /time Magazine | Title: Books: Adam in the Wilderness | 12/12/1969 | See Source »

...lines, and this combination provides the thrust and visceral power of the Stones' music. With the drum/bass as floor, the two guitars fight for control, continually re-emphasizing the forward thrust of the bass, while Jagger's alternately sneering and raging tones proclaim through this wall of sound the primal savagery the Stones have always represented. The famous tension of their music is thus really two tensions: the first between guitars; the second between Jagger's voice and a band which seems always on the verge of pounding him to pieces...

Author: By Joel Haycock, | Title: The flea-bit painted monkey Got Live If You Want It | 12/9/1969 | See Source »

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