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...commission through the kind offices of Etcher Muirhead Bone: 18 colossal figures for the façade of the British Medical Association's new building in the Strand. For his theme he chose The Birth of Energy and his uncompromising, starkly modeled figures represented such ideas as Primal Energy (a nude man blowing the breath of life into an atom), The Brain (a figure holding a winged skull), Manliness (a figure whose physical attributes were very obvious). Preachers and conservative editors roared denunciation...

Author: /time Magazine | Title: Art: Again, Epstein | 6/28/1937 | See Source »

Last week the head of Primal Energy cracked, fell to the ground, slightly injuring a passing woman pedestrian in the foot. This was all Rhodesian High Commissioner Stephen O'Keeffe needed. Promptly he ordered all six statues along the Strand front of the building taken down, withheld judgment on the rest...

Author: /time Magazine | Title: Art: Again, Epstein | 6/28/1937 | See Source »

...April there flared the Walsh-Sweezy dismissal. Resolving that political bias had no influence on the case, the Council claimed teaching versus research was the issue. The proposal of an examination of the primal problem of education showed that the Council was accepting its responsibilities to the hilt...

Author: NO WRITER ATTRIBUTED | Title: IN RETROSPECT | 6/16/1937 | See Source »

Names are funny, too. Juliet does some speculating about where-fore Romeo is Romeo and not Caspar Milquetoast or some other moniker that would rid the young pigeons of the family barriers between them. And the tone of her voice--that tender caress of a voice, instinct with primal passion and heart-throb and love--gives a musical quality and dramatic force that's been associated with it ever since. If you said to us "Romeo" and we replied "Romeyback" that would be that. But when Juliet, atop the rose-kirtled balcony, breathes out on the sweet smelling evening...

Author: NO WRITER ATTRIBUTED | Title: The Vagabond | 3/25/1937 | See Source »

...studied movements in relation to character and mental attitudes. First to give his ideas concrete expression was his pupil, Mary Wigman, a tense, rawboned woman who was 27 before she decided on a dancer's career. Wigman soon claimed that she could feel herself "as one of the primal things, unable to speak life, only to dance it." To drum & cymbal accompaniment she danced in 1919 before an audience of the sick and neurasthenic at a Swiss Kurhaus. She looked scrawny and underfed, but she had developed her muscular control almost to perfection, danced with a strange violence, twisted...

Author: /time Magazine | Title: Music: Modern Dancer | 3/9/1936 | See Source »

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