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...then, someone's shovel blade would strike an unexploded bomb; mostly the air in the '70s was thick with a sense of aftermath, of public passions spent and consciences bewildered. The American gaze turned inward. It distracted itself with diversions trivial or squalid: primal screaming, disaster movies, jogging, disco, Perrier water, pornography. The U.S. lost a President and a war, and not only endured those unique humiliations with grace, but showed enough resilience to bring a Roman-candle burst of spirit to its Bicentennial celebrations...

Author: /time Magazine | Title: Last Look At The '70s: Epitaph for a Decade | 1/7/1980 | See Source »

Urban killing is as old as cities; today, the accounts of street crime have grown so familiar that death has lost its sting. In a book that should prove this year's Helter Skelter, Crime Writer Clark Howard restores to this now routine event a primal horror. His pounding narrative meticulously describes the so-called Zebra killings of 1973-74, when 23 white San Franciscans were murdered or maimed by a group of Black Muslim extremists. In the retelling, the cold jargon of police files leaps starkly to life...

Author: /time Magazine | Title: Books: Kill! Kill! Kill! | 10/15/1979 | See Source »

That display now seems to have been a form of primal yuk therapy at the onset of middle age. Roth was 40 at the time. His reputation as a master of literary comedy had been firmly established by Portnoy's Complaint. My Life as a Man (1974) and The Professor of Desire (1977) returned to the sensitive roots of his wit: the conflicts between lust and respectability, art and burlesque, cultural ties and personal freedom, the problem of how to be-or not to be-a Jew. Civilization and its discontents were no longer a set of Freudian trampolines...

Author: /time Magazine | Title: Books: A Tale of Tough Cookies | 9/3/1979 | See Source »

...Lulu's patron, husband and prime victim, Bass-Baritone William Dooley mordantly conveys the opera's central drama of worldly power and rationality being ravaged by the primal erotic instinct. Among other solid supporting performances, Bass-Baritone Andrew Foldi is funny and touching as Schigolch, the old man who may be Lulu's father and who is as good a key as any to Berg's newly retrieved third act. Schigolch is the none too comforting image of what is left after passion and violence are spent: a scrabbling, wheezy, lecherous rag bag of a survivor...

Author: /time Magazine | Title: Music: Lulu Arrives in Full Dress | 8/13/1979 | See Source »

Such comments, barbed enough to provoke a fistfight with other managers, roll off Weaver. He and his players yell at each other so much that the dugout sounds like a session of primal scream therapy, but the anger quickly passes...

Author: /time Magazine | Title: Sport: Baltimore's Soft-Shelled Crab | 7/23/1979 | See Source »

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