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Help from the Men. Since beautiful Prima Ballerina Margot Lander retired in February, the Royal Ballet has sorely missed a female dancer who could rival England's Margot Fonteyn (TIME, Nov. 14). And the company as a whole could not quite match the glittering polish and clockwork precision drilled into the Sadler's Wells troupe. But the Danes proved to be second to none in their male stars...

Author: /time Magazine | Title: Music: A Nod from the King | 6/19/1950 | See Source »

...syndicated "Pitching Horseshoes" last week, Columnist Billy Rose told a touching tale about an actress of bygone days whom he called Harriet Reeves. According to Rose, she was a prima donna who made many enemies by her scene-stealing and slights before a weak heart forced her to quit the stage. Then, told that she had only a few months to live, Harriet Reeves contritely determined to give an elaborate party for the people she had wronged. But on the appointed night "last summer," nobody came. After two hours of humiliating waiting, Harriet Reeves had a heart attack and died...

Author: /time Magazine | Title: The Press: Billy Rose Gives a Party | 6/12/1950 | See Source »

Complete with spear-carriers and prima donnas, grand opera was launching a mass assault on television. ABC started it with ponderous telecasts from the Metropolitan of Otello and Der Rosenkavalier. Last week, in the first of a series, CBS and Artistic Director Lawrence Tibbett proved that opera could be sprightly as well as tuneful, in an 80-minute version of Bizet's Carmen on the Opera Television Theater...

Author: /time Magazine | Title: Radio: Opera Digest | 1/16/1950 | See Source »

...witnessed the first successful attempt in years to return elegance and the classical spirit to the Western ballet. Both had been brought to the U.S. by England's Sadler's Wells Ballet. With its gifts, Sadler's Wells had also brought Margot Fonteyn, its prima ballerina, a dancer fit to be ranked with the alltime greats...

Author: /time Magazine | Title: Music: Coloratura on Tiptoe | 11/14/1949 | See Source »

...still seriously studious. Even after tough evening performances like Sleeping Beauty or Swan Lake she rarely misses the ritual of morning class, where she stretches at the bar like the other dancers. She is completely unaffected-a quality which helps set the atmosphere backstage. Explains Frederick Ashton: "When the prima ballerina doesn't put on airs, obviously anyone else trying to would only look ludicrous...

Author: /time Magazine | Title: Music: Coloratura on Tiptoe | 11/14/1949 | See Source »

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