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Gill also believes that the denominational seminaries are not getting the intellectual support they should have. "The big ecumenical seminaries-Harvard, Yale, Union, and the University of Chicago-have regularly conducted raids on the faculties of the denominational seminaries. They have been able to attract many of the prima donnas in American theology -the men of academic glamour." As a result, many denominational seminaries feel "that they ought to focus down on the education of ministers and pastors, and leave the training of scholars to others. This is the mood that rang all the alarm bells...

Author: /time Magazine | Title: Religion: Prickly Presbyterian | 9/1/1958 | See Source »

...Pouch. As soon as news of the fire reached London, the Royal Ballet's Prima Ballerina Margot Fonteyn sent her own Black Swan costume winging to Ballet Theatre's Prima Ballerina Nora Kaye. Covent Garden set 15 girls apressing a pile of old Sylphides costumes. The British Festival Ballet's Anton Dolin, a Ballet Theatre alumnus, sent whatever odds and ends he could spare. Ballet Theatre's Erik Bruhn phoned fellow Danes in Copenhagen, who rushed to pack Sylphides and Graduation Ball trappings (the vacationing director had to be run to ground for an O.K.). French...

Author: /time Magazine | Title: Show Business: Ballet from the Ashes | 8/18/1958 | See Source »

Battle of Monocles. In the third Covent Garden, designed 100 years ago by Architect Edward Barry, the fires have been artistic or temperamental, set by such prima donnas as Giulia Grisi, Nellie Melba, Emma Albani. In the '90s, Adelina Patti, who imperiously ignored rehearsals, once filled the stage with detectives disguised as supers to guard her diamonds. Famed Manager Augustus Harris made Covent Garden London's choicest nightspot for rich and royal patrons who came to monocle each other-and protested violently when he doused the house lights during performances...

Author: /time Magazine | Title: Music: Not So Bad for England | 6/16/1958 | See Source »

...Prima Donna Maria Callas, past mistress of the grand operatic exit, did it again last week. After her closing performance in Bellini's Il Pirata, she stalked out of Milan's La Scala-for good, she said-and probably out of Italian opera as well. "I leave La Scala with deep pain," she said. "It is no longer compatible with my dignity as a woman and an artist...

Author: /time Magazine | Title: Music: Exit La Callas | 6/9/1958 | See Source »

This season La Scala's new Artistic Director Francesco Siciliani began needling Ghiringhelli about pampering prima donnas. Even before Callas' celebrated walkout on a Rome audience including Italian President Gronchi last January (TIME, Jan. 13), Ghiringhelli pointedly skipped his ritual of meeting her at the airport with flowers...

Author: /time Magazine | Title: Music: Exit La Callas | 6/9/1958 | See Source »

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