Word: princerd
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...stories succeed, largely because they focus on a concrete event; but the third, called "Apprentice," is nothing but a long, almost pointless narrative that is written carelessly. "The Prisoner," by Roger Princerd, is the high point of the magazine, owing its success to a straightforward and unpretentious style, and to having the solid basis of one realistic incident. The story of a stowaway being back to Poland from America, it remains objective and lucid throughout...
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