Word: princess
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...runners-up still have bragging rights. Alvin took in more in its first four days than the early December animated feature The Princess and the Frog did in its first 32 days (18 in wide release). The chipmunks should earn back their $70 million budget in a week or two. And Sherlock Holmes handed Ritchie, once known mainly as Mr. Madonna, his first real hit; the director's five previous features have taken in a total of about $40 million at the North American box office. He achieved success both by turning Holmes from a contemplative sort into an action...
...million, first weekend 3. Alvin and the Chipmunks: The Squeakquel, $50.2 million; $77.1 million, first five days 4. It's Complicated, $22.1 million, first weekend 5. Up in the Air, $11.8 million; $24.5 million, fourth week 6. The Blind Side, $11.7 million; $184.4 million, sixth week 7. The Princess and the Frog, $8.7 million; $63.4 million, fifth week 8. Nine, $5.5 million; $5.9 million, second week 9. Did You Hear About the Morgans?, $5 million; $15.6 million, second week 10. Invictus, $4.4 million; $23.4 million, third week...
...Avatar, $73 million, first weekend 2. The Princess and the Frog, $12.2 million; $44.8 million, fourth week 3. The Blind Side, $10 million; $164.7 million, fifth week 4. Did You Hear About the Morgans, $7 million, first weekend 5. The Twilight Saga: New Moon, $4.4 million; $274.6 million, fifth week 6. Invictus, $4.1 million; $15.8 million, second week 7. Disney's A Christmas Carol, $3.4 million; $130.8 million, seventh week 8. Up in the Air, $3.1 million; $8.1 million, third week 9. Brothers, $2.6 million; $22.1 million third week 10. Old Dogs, $2.3 million; $43.6 million, fourth week...
...something written expressly for Broadbent by Fellowes, but in Lytton Strachey's biography Queen Victoria, and again in Christopher Hibbert's, you'll find that scene, told exactly as it is onscreen. The only difference is that Blunt's Victoria doesn't burst into tears as the real princess apparently did; the movie heroine has more backbone...
...cruise industry is basically a duopoly, with two players--Carnival, which owns Cunard, Holland America, Princess and Seabourn, among others, and Royal Caribbean, which also owns Celebrity and a few international lines--controlling 70% of the market. There are three segments: contemporary, at $200 and under per day; premium, $250 and up; and luxury, at $300 and above. Royal Caribbean and Carnival operate mostly in the contemporary segment...