Word: print
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Dates: during 1910-1919
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...early Italian engravings which have been on exhibition in the print-room in connection with the special loan exhibition of Italian paintings have been replaced by a selection from the etched work of Rembrandt. The Rembrandt drawing which was purchased some months ago for the Museum is still to be seen in the print-room. The etchings shown with it illustrate Rembrandt's treatment of all manner of subjects, some mere sketches, others finished with studied care. They show his technique at different periods of his career, pure etching, dry-point used in connection with etching, and dry-point alone...
When we know how exhaustively undergraduates discuss the questions of the day, decide the fate of nations, and solve the problems of the universe, it seems strange to us that they should so coyly decline from putting their thoughts on paper, or, at all events, in print. This becoming reticence cheats the College papers, for they receive little or no support from men who are not editors. Surely the papers miss their mark if they do not give some stimulus to thought and offer a medium for undergraduate expression. The columns of all the papers are gaping open...
...they are as a rule cleverly concealed from the vulgar public eye, at least, so far as the College papers are concerned. With so many interesting problems about us, it is a pity that more men will not "come out of their shells" and express their ideas in print...
...Dean of the College has exposed in his annual report the difficulties attending the present arrangement. Apparently, then, both Faculty and undergraduates agree that there should be an extension of the vacation, and the Bulletin may be supposed to voice the sentiments of the alumni, they, too, agree. We print below the Dean's remarks as they appeared in the editorial column of the Bulletin...
...loan collection of primitive paintings exhibited at the Fogg Art Museum has now been supplemented by an exhibition of fifteenth and sixteenth century engravings in the print-room. These prints have been selected from the collection of the Museum, with additions from Mr. Francis Bullard's collection. It illustrates the development of copperplate engraving from its beginning to the time of the three great sixteenth century masters: Durer, Lucas van Leyden, and Mariautonio Raimondi. The prints shown are remarkable not only for the great beauty of the impressions but also in some instances, for their extreme rarity. The Otto print...