Word: print
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Dates: during 1970-1979
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...bienvenue, Julia Child! America's most generous and persuasive evangelist-explicator of great food is back in print with a compendium of recipes, reflections and recommendations. Julia Child & Company (Knopf; 243 pages; $8.95 paperback) is not so much a collection of recipes, of which there are a Julian abundance, as a matter of celebrations and consummations. There is a Dinner for the Boss that runs through consommé brunoise, standing rib roast and macédoine of fruits in champagne with bourbon-soaked chocolate truffles. Anyone who serves anyone such a repast must have a very good boss...
Rock Critic Robert Palmer has supplied a fleet, smart text for the book, but Baby, That Was Rock & Roll is made up mostly of lyrics (terrific) and old photos (family-scrapbook evocative). Mike Stoller's wonderful music is necessarily shortchanged in print. Its influences can be traced-boogie, R&B, smatterings of Latin rhythm and Broadway melody -but the magic remains in the grooves. Best thing to do while looking through this book is put on some Elvis and some Coasters...
...when she describes the moment that their relationship became serious, one can almost hear a director shout "Cut and print": "It was about three weeks into the picture-the end of the day-I had one more shot, was sitting at the dressing table in the portable dressing room combing my hair. Bogie came in to bid me good night. He was standing behind me-when suddenly he leaned over, put his hand under my chin, and kissed me. It was impulsive-he was a bit shy-no lunging wolf tactics. He took a worn package of matches...
...question remains: Are these "quickies" merely commercial ventures for publishers, or do they represent responsible efforts to record and interpret dramatic world events? Profits, it so happens, are likely to be marginal, given the extra shipping, printing and overtime costs that result from speeding up production. In the case of Bantam's Guyana special, these costs amounted to a high five figures. A majority of instant books break even, but some-notably The President's Trip to China and The White House Transcripts-were financial failures, with returns as high as 60%. The Pentagon Papers was their biggest...
...first category of object whose market was utterly changed by this was the original print-etching, woodcut or lithograph, a strictly limited edition of an image made, supervised and signed by an artist. Some original prints became almost as costly as master paintings. But prints were not reproductions. Photos or postcards could not satisfy the thirst for status. They were not exclusive; they were, in fact, genuinely democratic. Anyone could pin a postcard of a Rembrandt on the wall, for pennies. Hence the invention of another class of object, a chimera begotten by greed upon insecurity: the expensive reproduction...