Word: print
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Dates: during 1980-1989
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Twice a month on Saturday, The Crimson will review what's current in news and in print--taking advantage of the weekend to cast a second look at the events of the weeks past, and a fresh eye on current titles...
White House spokesman Marlin Fitzwater said Gorbachev's statement "sounds like a positive step and we hope it is, but we need to see the fine print. We've got to know what it means...
...Managua, the accent was also on conciliation. Autonomy talks between the Sandinistas and the largest armed group of Miskito Indians resumed after a hiatus of almost three years. The Sandinistas authorized 14 radio and print organizations to begin or resume operations, and released U.S. Pilot James Denby, whose plane was shot down over Nicaragua two months ago. The Sandinistas downed another craft last weekend, this one a DC-6 contra-supply plane, which resulted in at least four deaths. The one captured crew member, Alejandro Sanchez, confirmed Nicaraguan charges that contra-supply operations continue to operate out of Honduras' Swan...
...every page, especially during exam period, and it is true that being on the editorial board of the Crimson is a deserved privilege; but couldn't we have some more editing, or perhaps a more open editing process, so that someone might have said, "Why are we printing this?" I know, also, that there is a school of student journalism which loves to see words like "boner" in print, because this is "brash," "bucking the establishment," and all the things that, done for their own sake, render an op-ed page rather pointless. There is a type of piece, moreover...
...artist, Art Spiegelman, brought forth Maus, a black-and-white line-drawn memoir of Hitler's Germany, where the Nazis are cats and the Jews are mice. Like The Dark Knight Returns, Maus (Pantheon; 159 pages; $8.95) came out in 1986. Warner has 80,000 copies of Knight in print. Pantheon reports that Maus, after eight printings totaling more than 100,000 copies, still sells an average of 1,000 a week. Spiegelman's tale is a hellish metaphor for history; Miller's is an evocation of pop apocalypse. Spiegelman draws simply, with calculated primitivism, while Miller is a boisterous...