Word: printed
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Dates: during 1960-1969
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Pulling the Plug. Clifford's idea, Nixon told the Senators, was really not withdrawal at all, when the fine print was examined. Though more than 200,000 ground combat troops would be taken out by the end of 1970 under the Clifford plan, about 300,000 men in ground, air and naval support units would remain indefinitely thereafter. Without infantry protection, they would be prey to the enemy, totally dependent on South Vietnamese units. This approach is unacceptable to Nixon on both military and political grounds. The implication was that, except perhaps for token remnants, the Nixon plan amounted...
...food. In April, Japan eased restrictions on seven other items, but most were products as insignificant as boiled pig entrails. A veteran U.S. businessman in Japan explained with annoyance: "They said one day, 'Now you can make radios.' But when you read the fine print, it turned out that you couldn't bring in parts. You couldn't even make a crystal set. Then another round of liberalization came and, by God, now you can bring in parts-for a crystal...
Moscow '69 has already produced at least one interesting development. In reporting the proceedings, Pravda, for the first time in 41 years, printed criticism of a ruling Soviet regime. The strong Australian condemnation of the Soviet invasion of Czechoslovakia, for example, appeared on Pravda's front page. While the summit was in session, Soviet citizens enjoyed a glimmer of what it is like to read a real newspaper. There in print were foreign comrades defying the Kremlin-and getting away with...
...either of pro-American sentiment or of democratic stability in the country. It simply showed that the Brazilians had had sufficient warning, and had prepared accordingly. To forestall possible trouble, President Arthur da Costa e Silva's tough military regime had warned Brazil's press not to print anything unfavorable about the Governor's visit. It had also placed some 2,500 of Brazil's most militant students and other dissidents under preventive arrest to make certain that there would be no embarrassing demonstrations...
...When the legend becomes fact," says the canny newspaper editor in John Ford's The Man Who Shot Liberty Valance, "print the legend." Sam Peckinpah is a film maker dedicated to telling truths and still preserving the legend of the American West. In feature films (Ride the High Country, Major Dundee) and television shows (The Westerner), his characters are eminently fallible, their deeds frequently inglorious. They are legends both because and in spite of themselves. The Wild Bunch is Peckinpah's most complex inquiry into the metamorphosis of man into myth. Not incidentally, it is also a raucous...