Word: printed
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Dates: during 1960-1969
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...Shaun are, among others, Lucifer and the Archangel Michael. The film's multipersonaed hero himself combines such disparate characters as Adam, Tristram and Jonathan Swift. Joyce believed that the pun is mightier than the word. His double-entendres are so arcane and gusty that the movie must print explanations below the image, making Finnegan one of the few films to employ English subtitles below English dialogue...
CNCV lawyer Hans F. Loeser viewed this latest source of delay as a contrived tactic, and a weak one. He claimed that the only Cambridge competitive bidding statute which mentions the two-week period for advertising applies to contracts over $2000. (It will cost just $1700 to print the 60,000 ballots for the peace resolution, according to the Election Commission.) Further, Loeser argued, the court order to print the ballots immediately excused the City from complying with such statutes. The fact is, though, that the City isn't printing ballots--and isn't close to printing them...
...fiction: "We stand among the flotsam, the odd shoes and tins, hot-water bottles and skulls of sheep or deer. We know nothing. We stand where any upright food-gatherer has stood, on the edge of our own unconscious, and hope, perhaps, for the terror and excitement of the print of a single foot...
...with this background that the only major published response to The World of Ted Serios (the book having been in print for at least five months) must be considered. As detailed in the October 1967 issue of Popular Photography, the editors of that magazine sent an inquiry team, consisting of two photographic experts who double as practicing magicians, to investigate Ted Serios. They passed what sounds like a tense and uncomfortable weekend in Denver, saw no images produced in the course of three sessions (though there were several blackies--which unfortunately seem to be the least convincing effects in Serios...
...finally fixes this polarization of possible viewpoints on Serios and his thoughtography is the nature of his pictures themselves. There are many that with the aid of a camera and a darkroom always at the ready, Serios might have been able to create first on a tiny transparent positive print (though even here the question arises: Could Serios have carried on this sort of minor photoraphic cottage industry without being detected by Eisenbud, with whom he was in constant, daily contact in Denver? If not, then again it is a question of either collusive hoax or genuine talent, with...