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Word: printed (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...errors surprising and even incredible. Not only did you misprint several words but you changed them so much as to destroy the meaning of the sentences. Nor did you stop there, or rather you stopped all too soon: you left out my entire concluding paragraph. (But you managed to print an ad for "in its place: clearly you are more commercial than radical...

Author: NO WRITER ATTRIBUTED | Title: TYPOS | 11/3/1969 | See Source »

...hope that when you print this letter you will return to your normal typesetting standard instead of having no standard...

Author: NO WRITER ATTRIBUTED | Title: TYPOS | 11/3/1969 | See Source »

...various versions of one portrait. Rembrandt explored the complexity of his character. He drew his friends: a lawyer, a merchant and Clement de Jonghe, a print seller from Amsterdam. All editions of the portrait of de Jonghe have the same skeletal composition. His strong body is buttoned into a jacket and surrounded by a cape. He sits leaning on the arm of a straight-backed chair, gloved hands resting in front of him. He carries a large-brimmed hat as though it were part of his head...

Author: By Cynthia Saltzman, | Title: Rembrandt Rembrandt: Experimental Etcher at the Museum of Fine Arts through Nov. 7 | 10/31/1969 | See Source »

...FIRST state of the print is a general statement. But in the second state Rembrandt refined the face, darkening the curve of the lips, and enunciating the cheek. One eye, large and black, opens in a tentative expression. The other one tightens in its scrutiny of the viewer. Rembrandt again blurred the features in a third state. Now the eyes are of equal size. And an arch scratched in at the top of the page brings de Jonghe forward. Finally Rembrandt cut deep shadows into the cape grabbing the focus away from the face. And the print seller becomes...

Author: By Cynthia Saltzman, | Title: Rembrandt Rembrandt: Experimental Etcher at the Museum of Fine Arts through Nov. 7 | 10/31/1969 | See Source »

...facial expression suggest conflicting thoughts. Does the sitter look different because his mood changed each time he posed for Rembrandt, or did Rembrandt merely illustrate a different aspect of his nature? Or is it the artist's own opinion of de Jonghe that develops through the changing states? The prints spin out the shifting relationship between artists and sitter. Beyond this the progression suggests that changes within the viewer himself will make a print appear different each time he approaches...

Author: By Cynthia Saltzman, | Title: Rembrandt Rembrandt: Experimental Etcher at the Museum of Fine Arts through Nov. 7 | 10/31/1969 | See Source »

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