Word: printed
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Dates: during 1970-1979
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...work of the 18th century English painter Thomas Patch, worth a patch above $30,000. A Connecticut man brought in a trifle inherited from his Uncle Harold that was diagnosed as a contemporary portrait of George Washington on glass ($300). A man from New York brought in a musty print by Albrecht Durer...
...Huntley's death, although an item in that same day's Tribune about the newsman's failing health might have alerted editors to the risk that the story posed. After Huntley's death the Trib decided not to cut the piece out of the already printed copies or yank the magazine entirely-at an estimated cost of $100,000 in production fees and lost advertising. Magazine Editor John Fink defends the decision to print and then stick by the article: "It was basically a story on Huntley and his life, and it seemed to me that...
...Joyce," said George Bluestone in Novels Into Films, "would seem as absurd on film as Chaplin would in print." Chaplin is probably not the most apt comparison to Joyce--Fellini or Bergman are more appropriate. One would be hard put to translate 8 1/2 or Persona into print and still maintain any semblance of the original. Yet, in 1967 Joseph Strick and Fred Haines courted disaster by writing a screen adaptation for James Joyce's Ulysses. The absurdity of the undertaking provides a perfect example of the irreconcilable differences between the two media. Ulysses, published in 1922, was hailed...
Phrases like "you have to be exploitative with sources," and "we decided to hit him hard" orient the onlooker rapidly to Cloherty's everyday battle jargon. Quiet, qualmless talk of a decision to print Watergate grand-jury transcripts in the column, even when "we knew it [news of the cover-up] would come out sooner or later," or of the staff's standard operating procedure to opt against self-censorship "in 99 out of 100 cases" makes the onlooker wonder whether the Anderson Superman world consists of anything other than faster-than-sound scoops and ground rules laid...
...powerless defendants but some of the nation's most influential officials. There have been repeated attempts to suppress evidence, minimize the case's importance, deflect guilt and hide behind the shibboleth of national security. These factors at first inhibited the press. Now the urge is to print everything obtainable in the belief that self-censorship would be itself a kind of coverup. In this atmosphere, there will doubtless be some excesses. Though Kraft is right in warning against abuses, the entire history of the Watergate mess is an argument for the fullest possible disclosure...