Word: printed
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Dates: during 2000-2009
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...forces assembled against print media scored a big scalp on Monday when Condé Nast announced that Gourmet magazine was finished. The 68-year-old foodie look book will close after the publication of its November issue, although the title will live on in books and on TV shows and some of its content will be folded into Epicurious.com...
Thompson said that the Review was concerned about the financial implications of the decision to join JSTOR, noting that the funds that the Review receives from sublicensing its content to JSTOR are less than traditional revenue from print susbscriptions...
...ability of printmaking to augment the depth of original paintings or sketches is the reason artists persist with the techniques. The new print exhibition of Indonesian pop artist Agus Suwage, running at the STPI from Sept. 26 to Oct. 24, is a case in point. Agus began his residency at the Tyler Institute in January with a desire to protest a 2008 Indonesian antipornography law that he felt curbed the freedom of women and artists like himself. "It affects pluralism and Indonesia needs to be pluralistic," he says...
...bear the marks of this dissent. One depicts a naked woman against slate-gray letters - the text of the antiporn law - embossed onto paper that is often kneaded by hand from raw cotton. The physicality of Agus' finished piece, with letters extruding from crenellated surfaces, is one way his print works are unique. The use of repetition is also striking. Suwage is already well known for political commentary. With printing, his barbs have even greater sting. "The message becomes much stronger than on a single canvas work," says Tan Boon Hui, director of the Singapore Art Museum, "because there...
...Printmaking has had a dramatic effect on most of the artists spending time at the STPI. For Malaysian painter Ahmad Zakii Anwar, the process of lithography emphasized his innate drafting skills, and gave his print series of male nudes cartographic precision. Chinese installation artist Lin Tianmiao, used to working in large spaces with big props, cut her work down to a more intimate scale. She created a series of hauntingly vacant faces over which she superimposed a sheet of ribbed and pebbled paper. The scarred surface of the works imbued them with an irresistible texture...