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...educate our children for the 21st century, we will make decisions in the next few years that will affect all of us for many years to come. TIME's job is to outline the choices ahead and help you make those decisions. We do that every week in print and every day on TIME.com by not just reporting the news but putting it in context and perspective. We offer clarity in a confusing world, explaining not only what happened but why it matters. To do that, we tap into our network of correspondents in the U.S. and elsewhere--we have...
...display in the Transit Gallery of CGIS South until April 10, Boym manipulates technology to reevaluate photographs from her travels throughout Europe and America. Boym’s journey into what she calls “broken-tech art” began when she was printing photographs and her printer began to run out of black ink. When she hit the printer, vibrant versions of the original prints emerged, images she referred to as products of “the computer’s psychedelic unconscious.” If there is continuity to Boym’s work...
...appreciate the distinction but let’s just say I find this a completely ridiculous classification—while the actually talented Derek Trucks is cited as a slide guitar luminary. In the fine print, Jack White is described as a “crawling king snake,” praised for his “fusion of prewar blues grit and Stooges napalm,” and (falsely) likened to the legendary Blind Willie McTell...
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...visitors can request to see any piece of art in the collection, either during open hours or by appointment.“What is really special about the Harvard art museums are the study rooms that are here,” says Susan M. Dackerman, the Weyerhaeuser curator of prints at the Fogg, who heads a department that includes about 70,000 prints from the late 15th century to present day. Dackerman says the Mongan Center study room in the Fogg is particularly important for her department because light-sensitive works on paper are not permanently displayed. But Dackerman does...