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...Premier—will be crucial if Harvard’s burgeoning collection is to remain organized and accessible. Additionally, Harvard’s commitment to digitization must not waver after Verba’s retirement. The outgoing director wisely involved Harvard in the pilot run of the Google Print project, an ambitious attempt to create a free, publicly-accessible database of millions of texts. This amazing database would allow the general public to search not only the titles of books, but their full text as well. Allowing digital access to the library’s collection will not only...
...complete the triad.) Given this distinction, it’s quite astounding that a nascent private gallery like the Pierre Menard Gallery, at 10 Arrow St., would hold an extensive collection of his work. Yet the gallery’s exhibition of 84 of Clergue’s prints, on display through March 15, is notable for reasons other than its mere existence. The massive assembly at once reinforces and threatens Clergue’s photographs. Though the show includes works from many periods of Clergue’s acclaimed oeuvre, its emphasis is squarely on female nudes. In these...
...than a century, a name change and a sea of famous faces, from Argentine writer Jorge Luis Borges to Katharine Hepburn and Johnny Depp, the four-star boutique L'Hotel is at the top of its game. Thanks to design guru Jacques Garcia's recent lavish upgrades, a leopard-print carpet now snakes through the six-story spiral stairwell, pictured. Coupled with chef Philippe Belissent's menu, the intimate Belle Epoque restaurant and bar, all done up in jewel-toned velvet and silk, are now the perfect setting for a seduction. Every room is lush, but each room is unique...
...doubt about it: according to press reports, all three knew exactly what they were doing. Despite what they may claim, Rove and Armitage either knew Plame was under cover, suspected she was, or should have assumed she was. As for Novak, the CIA asked him not to print the name, but he did anyway, apparently deciding he would decide who the CIA should have under cover and who it shouldn...
...personally assembled.It is intention, and not medium, that separates Beuys from the Fluxus camp. This separation is evident immediately upon entering the “Multiple Strategies” exhibit. There is a photograph of Joseph Beuys, beside which hangs a work of his simply saying in bold, German print: “The Silence of Marcel Duchamp is Overrated.” Although Beuys employed the same ordinary materials for his art as the Fluxus artists and Duchamp, he held fast to the idea that art does, in fact, exist for spiritual rejuvenation, and not just wild experimentation.The strategy...