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That’s why I didn’t really know how I felt about the whole “skulls” trend. Ever since last fall, when high fashion debuted a renewed fascination with the gothic, skulls have been the print of choice for accessories everywhere. Sienna and Nicole both wore skull print scarves tied in variously contrived ways...
...publication date reflects the way the Internet is affecting pretty much everything about the news business. Today our print magazine and TIME.com are complementary halves of the TIME brand. Starting on Jan. 8, you will see a different TIME.com We've given the site a long-overdue face-lift, and you will find a sharp, dynamic, constantly updated news site within a new but familiar red border. You'll see more space to show off our world-class photography, our superb writers and columnists, and now you can start your day by checking our news blog, The Ag, which smartly...
Although in 2004 he spoke eloquently of the "Two Americas"--rich and poor--if you looked at the fine print, Edwards backed ideas that originated in the centrist group that created much of Bill Clinton's agenda, the Democratic Leadership Council. Not this time. Many of the proposals for middle-class tax cuts from Edwards' first run won't be on his platform. Edwards says the country can't afford them and the bigger goals he wants to pursue. He says the problems in the U.S. are too pressing for the incremental solutions he proposed last time...
...Monet worked in the Netherlands not just in 1871, but again in 1874 and 1886, and biographers offer wildly varying accounts of that first, life-altering Japanese print he bought: it was in Amsterdam, or Delft or Zaandam; at a food shop or a porcelain store; it was being used as wrapping paper or hanging on a wall. Monet himself recalled: "My true discovery of Japan, the purchase of my first prints, dates from 1856. I was 16. I spotted them at Le Havre, in a shop that dealt in curiosities brought back by foreign travelers." But even here...
...items were singular sensations. Nobody made a sequel to Gone With the Wind, Casablanca or Ben-Hur. The industry didn't think in roman numerals until The Godfather, Part II in 1974. But with the triumph of special-effects fantasies like Star Wars, sequels became a smart way to print money. Now they are needed to turn bad years into good ones. The difference between the box-office slump of 2005 and the rebound last year can be attributed to one film: Pirates 2. That's why the trifecta of threequels is crucial to Hollywood's health...