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...Publishers are finding it increasingly difficult to get publicity for new novels, even those by media-friendly writers. You'll rarely find novelists on network or even cable TV, and radio outlets also favor non-fiction. Beyond print ads, most publicity for fiction comes from book tours and soliciting reviews or author profiles, but most newspapers have cut back on space devoted to High Lit. Ironically, although Pynchon's penchant for privacy may have its origins in his personal philosophy, it's also been a great hook for journalists to cover (or uncover) him over the years...
...kids these days…with the recent changes in the world of print journalism, are there any young reporters who you think will make it big? (Aside from yours truly, that...
...should ask why people visit blogs for information instead of getting their news from larger, mainstream media like newspapers. It is because organizations lose credibility when they make judgments that are wrong. I got the impression that Kinsley wants journalists to be above accountability, that no matter what they print they are above it all. But the marketplace decides which products survive and which don't. William Rolston Vancouver Torture on Trial Ron Suskind's viewpoint [Sept. 18] on the CIA torture of detained al-Qaeda operatives made clear that information obtained through torture or physical abuse is rarely...
...original songs[an error occurred while processing this directive] by alternative rock acts put together by Belle and Sebastian's Mick Cooke. Issued on Rough Trade, the label that evolved from the legendary punk-era London record shop, it's specifically for kids ("and grownups too" acknowledges the small print). "Go Go Ninja Dinosaur!" roots Four Tet's electro-tinged refrain on the opening track. From there, the likes of Snow Patrol, the Flaming Lips, Jonathan Richman, the Kooks, Ivor Cutler and the Divine Comedy tackle subjects from mud and astronauts to Pooh Bear and bunions. All proceeds from...
...Alba, to name a few ... When Oriana's subjects read the result of the interview, they often complain that she has fabricated the quotes. She denies it. But she does take a few liberties. 'I transcribe the whole interview,' she says, 'then I make it into what I print in the same way that a movie director makes a film-eliminating and cutting and splicing ... Of course I'm an actress, an egotist. The story is good when I put myself in.' Even the Spanish matador El Cordobes admitted that she frightened him as much as an angry bull...