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...political. They enter rooms in single file according to rank, and newspapers place photos of senior officials higher on the page than those of lesser rivals. So strict are the rules that when Hu Jintao took over as Party chief from Jiang Zemin two years ago, Beijing's print media waited four hours for instructions from propaganda officials on whose picture to run at the top. (They ran side by side.) The two leaders are now thought to be jockeying for power; Jiang remains chairman of the Central Military Commission, and a key Party meeting is scheduled for this month...
...evokes a mirthful Edwardian realm of hapless dukes, fearsome maiden aunts and one very tolerant, quietly competent valet. Wodehouse, who died in 1975 at the age of 93, remains one of the best-loved English writers. Nearly all of his 100-odd novels and story collections are still in print. Wodehouse magazines and fan clubs dot the globe. Hardly a decade passes without a new movie or play inspired by his creations: the dim but affable Bertie Wooster, his long-suffering gentleman's gentleman Jeeves and their screwball cohorts at Blandings Castle and the Drones Club. So rich is Wodehouse...
Spiegelman's first book, Breakdowns (1977; now out of print), collected early works that used the medium's history to wildly play with the form. One series of strips took a single melodramatic panel of a 50's romance comic and extended the lines past the border, recontextualizing the scene in various, absurd speculations. Comprised of ten broadsheet-size strips by Spiegelman with an addendum of selected turn of the century newspaper strips, In the Shadow of No Towers takes a similar, (co)mixed-up approach. Any one of Spiegelman's pages will use a multiplicity of styles to simultaneously...
There's nothing like an apron to evoke domesticity. Like a treasured baby blanket, it is rich with sentiment and associations. Store-bought or homemade, flower print or flour sack, an apron does double duty as protection and decoration. An old apron's faded pattern seems a memory of itself. Its soft, well-washed fabric feels as soothing as soup. But an apron also represents a woman kept in her place. The pert hostess aprons of the 1950s, with their printed poodles and cheery appliques, might seem these days to have tried too hard to put a good face...
...Despite Japan's unexpected gold rush, reaction back home has been surprisingly muted. For the first few days, the papers focused more on early disappointments in men's soccer and women's softball, sports in which Japan had hoped to win medals. True, the major dailies did print a special edition when the men's gymnastics team won gold, but the triumph was treated not so much as a watershed victory as a rightful return to the top tier. After all, before tumbling from grace in the 1980s, Japan won the men's team-gymnastics gold at five consecutive Olympics...