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...American public owns the airwaves and can at least assure that freedom. With reference to the corporate print and film industries, the government can break up the media trusts that stifle freedom of speech. In any case, the American public needs to be better informed about who is controlling the sources of information that inform their daily reality. Democracy cannot function with passive citizens contented by infotainment that is propagated by media giants to further themselves and their profits. It is impossible to request that Time Warner, et al., be concerned with something other than profits--that's what...
...suggested that the copyright protections of the print medium be extended to that of electronic media. --By Douglas M. Pravda
...second half of the 1980s, Moscow was transformed into a huge debating club, into a unique, peculiar Hyde Park. For the first time, there was freedom of speech. One could finally talk, express opinions. And one could write the truth. Dozens of newspapers and periodicals appeared; the print runs of even exclusively literary monthlies were in the millions. People bought these things, read them, collected them. Today in the cramped, cluttered apartments of intellectuals, against walls, on windowsills, on top of closets, lean stacks of dusty clippings and books from that era, like so much abandoned and sad-looking military...
There is not, nor has there ever been, any attempt by anyone at the CMES to do anything to Mr. Afrasiabi except to deny him continuing affiliation after he misrepresented his Harvard affiliation in print. If Mr. Afrasiabi really intends to carry out his longtime threats of legal action against the Center or any of its members, we would welcome that as an opportunity to document his conduct and the baselessness of his charges. We deplore his ongoing harassment of Mr. Alavi, who has done absolutely nothing to merit this. --William A. Graham, Professor of the History of Religion...
...Range, Colorado"; Elizabeth G. Ree '96 for "'Is It Art?': Changing Perceptions of Modernism and the Function of Art by the Public, Critics and Writers in Response to the 1913 Armory Show"; Renee-Ann Richardson '96 for "Oh Pressed Hair!: The Politicization of Black Hair Texture as Reflected Through Print Advertisements...