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Open any fashion magazine and you're bound to find a full-page layout of some super-skinny woman, or muscle-rippling man clad in only the bare minimum. According to these magazines, it's no longer be fashionable to wear the flower-or paisley-print underwear that comes in a six pack. Underwear has fallen into the same label-conscious category of jeans; most of them look the same, but everyone wants to have the right name stitched across their waist...
...Greenspoon's Maribuana Reconsidered, "I knew there was no Volkswagen on the ceiling and there was no Sandeman salamander man in the flame" It's kinda like the admission that, finally, there is no God. How lucky for us that the "Harvard University Press Classic" is now back in print...
...once viewed as an enemy of print journalism, is fast becoming Time's ally. In conjunction with this issue, we are co-producing a one-hour program that will air April 5 on the Discovery Channel, covering much of the same material you see in these pages but presented in quite a different manner. The TV documentary, like Time Daily and Pathfinder, is yet another way for us to bring first-rate journalism to as many people as possible -- something we've been up to for more than 70 years...
...reporter who ventures there soon learns how prickly its inhabitants can be about stories that reinforce the stereotype of the Net as a place where only spies, hackers and child molesters live. Editors are also discovering that the information highway is a two-way street: no matter what they print about gun control, for example, a flood of angry E-mail is almost sure to follow. While few editors will admit to being influenced by such online pressure (unless, of course, it points out an error), most journalists are likely to take the complaints into account in future stories...
...rather than miss one minute of a show. Madison Avenue had found a powerful new tool that allowed it to reach huge numbers of consumers right in their homes. Advertising flowered with creativity, producing its own 60-second shows called commercials, building on copy written for print (``Wonder Bread helps build strong bodies 12 ways!'') and eventually creating new art forms with jingles (``It's the real thing''). The revenues ($35 billion a year by 1994) financed a vast new wave of entertainment and information programming, from Bonanza to live coverage of presidential election campaigns. Now it's happening again...