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...looking for interesting tidbits on Harvard professors, organizations, administrators, clubs, and--especially--students. This column is what you give it. So call at 59666 and leave a message for "X" or write something down and bring it to 14 Plympton St. Anonymous tips are fine, but we only print confirmable stuff. That means your inside information is worthless without some backup--names, numbers or places--that can help us investigate your gossip. Start digging--X must hear from you by next Thursday, Oct. 1. We await your contribution...
Just what exactly possessed you to print such a poor public service message as the one that appeared on Page A-4 of the September 16th edition of your fine paper...
Bravo's works are praised for "the quality oflight and soft tones of print," according toArthur Ollman, the executive director of theMuseum of Photographic Arts...
...writer Eric Kraft has turned out a series of whiz-bang novellas about a kid named Peter Leroy who does a lot of neat stuff, like thinking, squidging for clams with his toes and noticing the fantastic legs of his new science teacher, Miss Rheingold. Now the out-of-print novellas have been published by Crown as LITTLE FOLLIES ($22) and Peter's new adventures as WHERE DO YOU STOP? ($15). Kraft misses endless opportunities to be poisonously cute about a smart boy who likes words (spline, ontology) and worries about the universe being mostly empty (and since...
Mitchell's reputation rests on four books: McSorley's Wonderful Saloon (1942), Old Mr. Flood (1948), The Bottom of the Harbor (1960) and Joe Gould's Secret (1965). They have been out of print for decades. But Pantheon Books has altered all that. Several years ago, the publishing house went through a convulsive change of management. Since then it has been the subject of intense debate and gossip. Could the new Pantheon survive under current business conditions? What kind of writers would it attract? If this anthology of Mitchell's best work is any indication, the publishers...