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...eventually refused to print the Holocaust advertisement for several reasons. The "easier" reason, the reason that allowed us to maintain our "objectivity," was that its appearance was deceptive. With such an excuse we avoided the personal and political implications that mere "distaste" (or, more accurately, disgust) would invoke. We could avoid the "freedom of speech" question if the ad were deemed simply fraudulent...

Author: By Rebecca L. Walkowitz, | Title: Veritas, and a President, Unveiled | 1/29/1992 | See Source »

When Nora went to Wellesley, she and her disintegrating mother exchanged bantering letters that the mother turned into a hit play, Take Her, She's Mine, holding off the dark for a while with Broadway glitter. The family's appropriation of one another's lives in print looks like exploitation; but it was more an attempt to contain one's life, as it spun out of control, by telling it as a story. When Nora took personal troubles to her, Phoebe would say, "It's all copy," a lesson repeatedly preached by Kavner to her children in This...

Author: /time Magazine | Title: How To Repossess A Life: NORA EPHRON | 1/27/1992 | See Source »

...presence of Jeffrey A. and Jeffrey D. on the same turf causes both confusion and irritation. The Boston Globe in June published an op-ed piece by Jeffrey A. that Jeffrey D.'s Cambridge colleagues thought he had written. The paper later had to print a clarification. Officials at the Institute of USA and Canada Studies in Moscow have taken to calling them Jeffrey I and Jeffrey...

Author: /time Magazine | Title: Yep, There's Another One | 1/27/1992 | See Source »

Simplicity aside, this gargantuan sentence is about as clear as the objective in the Gulf War. See, they even repeat that objective in case it wasn't clear to you. How could it be unclear if it was so clear? Didn't they go to the trouble to print thousands of those little cards that listed, one through four, the reasons we were there...

Author: NO WRITER ATTRIBUTED | Title: Kill 'Em All & Let God Sort 'Em Out | 1/24/1992 | See Source »

...frequently reminded of the strong reactions that readers have to the stories we publish. A story in TIME might prompt a reader to fire off a letter to our editors, call a Congressman or, in the case of Paul LaBell, do something astonishing and profound. A New York City print publisher, LaBell makes his living surrounded by images meant to stir the emotions. But that didn't prepare him for photographer Michael Springer's picture of starving Sudanese in our Dec. 5, 1988, issue...

Author: /time Magazine | Title: From The Publisher: Jan. 20, 1992 | 1/20/1992 | See Source »

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