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When that tactic didn't work, they called a meeting to be held on December 4, "and proposed a compromise--that scholars could look, but couldn't print what they see," Shanks said...

Author: By Jeremy A. Dauber, | Title: Dead Sea Scrolls Made Accessible To Researchers | 10/29/1991 | See Source »

Shanks said that in order to know what is important for a scholar to study "you need the whole corpus," and that "the only solution is to print a facsimile copy of the whole thing and let everyone read...

Author: By Jeremy A. Dauber, | Title: Dead Sea Scrolls Made Accessible To Researchers | 10/29/1991 | See Source »

...think any scholar will sign [a request to see the scrolls] under these conditions--you can look, but you can't print what you get," Shanks said. "It's limiting access masquerading as granting access...

Author: By Jeremy A. Dauber, | Title: Dead Sea Scrolls Made Accessible To Researchers | 10/29/1991 | See Source »

...begged to be consumed. It also fed back, with incredible speed, into the domain of popular culture -- partly because it was so easily, and at times misleadingly, reproducible. (An early Lichtenstein like Masterpiece, 1962, inflates with complications when liberated from a comic-strip frame; reproduced in print, it collapses back into one again...

Author: /time Magazine | Title: Art: Wallowing in The Mass Media Sea | 10/28/1991 | See Source »

...presence of a work like "Cross" aptly complements and brings new meaning to other exhibits, like "Moonrise, Hernandez, New Mexico" (1941), which opens the show. The latter print becomes a compendium for the show as a whole. The photograph contains a little bit of everything--a stunning evening landscape of mountains and clouds, a few remnants of industrialization, numerous crosses. It skillfully summarizes a new and fuller view of Ansel Adams...

Author: By John M.biers, | Title: Trying to Be Cultured? Visit the Museum of Fine Arts | 10/24/1991 | See Source »

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