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Princeton has gotten more draconian/sustainable by setting a year-long printing quota for undergraduates (2,100 sheets of paper) and graduate students (3,000 sheets of paper), effective Oct. 15.  Stay tuned for the May rush as frenzied students barter each other for their print credits...

Author: By Bonnie J. Kavoussi | Title: Around the Ivies Plus | 10/10/2009 | See Source »

Once the ghostwriter has finished writing, the task of rushing a book into print falls to the publisher. If a newsy or highly anticipated manuscript arrives on schedule, says Steve Culpepper, executive director of editorial at Globe Pequot Press, editors huddle with sales and marketing staff members, among others, to determine whether it's big enough to be worth crashing out quickly. The company's president makes the final call. (See where Sarah Palin is going next...

Author: /time Magazine | Title: How Did Sarah Palin Write Her Memoir So Fast? | 10/7/2009 | See Source »

...forces assembled against print media scored a big scalp on Monday when Condé Nast announced that Gourmet magazine was finished. The 68-year-old foodie look book will close after the publication of its November issue, although the title will live on in books and on TV shows and some of its content will be folded into Epicurious.com...

Author: /time Magazine | Title: Gourmet Magazine Heads to the Meat Grinder | 10/6/2009 | See Source »

Thompson said that the Review was concerned about the financial implications of the decision to join JSTOR, noting that the funds that the Review receives from sublicensing its content to JSTOR are less than traditional revenue from print susbscriptions...

Author: By Julie M. Zauzmer, CONTRIBUTING WRITER | Title: Harvard Review moves to JSTOR | 10/6/2009 | See Source »

...Printmaking has had a dramatic effect on most of the artists spending time at the STPI. For Malaysian painter Ahmad Zakii Anwar, the process of lithography emphasized his innate drafting skills, and gave his print series of male nudes cartographic precision. Chinese installation artist Lin Tianmiao, used to working in large spaces with big props, cut her work down to a more intimate scale. She created a series of hauntingly vacant faces over which she superimposed a sheet of ribbed and pebbled paper. The scarred surface of the works imbued them with an irresistible texture...

Author: /time Magazine | Title: Prints Charming | 10/5/2009 | See Source »

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