Word: printings
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Dates: during 1910-1919
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...attack is its wholesale and biased attitude of muckrake. For instance, we are told editorially that the "English of its stories ... is lax, incorrect, even worse than that of the average daily paper." Although the work is entirely done by untrained undergraduates it is fair to say that its print is clearer, its grammar purer, and its typographical mistakes fewer, than that of almost any daily paper in the country. Indeed through the whole series of Monthly articles we can- not at times help feeling that the writers mistake the object of the CRIMSON. It has not perhaps the Lampoon...
...rather gross and apparent misstatement of fact he leads us to suppose that the CRIMSON wantonly holds back expressions of adverse criticism in order to serve its own ends. E. W. Westcott states it as a fact that the reason why the "editor-in-charge" refused to print a certain communication by H. J. Seligmann was because, on the editor's admission, "the CRIMSON wanted 'to get back at the writer in the Transcript and did not care for discussion of the general principle.'" That the president of the CRIMSON should make such an admission even though impelled by such...
...apart from this incident,--it has always been the policy of the CRIMSON to print those communications which represent the point of view of a large number of undergraduates. It neither necessarily endorses or condemns these expressions of opinion; so that it can neither gain or lose by their attitude. It is obvious to every thinking person that the editors may use their discretion in refusing communications. Its columns might otherwise be flooded with articles which might not have even the excuse of being readable "muckrake...
...believe the most practical means to attain this end might be taken by the various local Harvard clubs all over the country. Each of these organizations might well have a press committee to take congnizance of the Harvard news printed in the local papers. Should an untrue story appear, these committees could at once bring the matter to the notice of the editor in charge. If vigorous action of this sort were employed, it seems reasonable to suppose that before very long, editors and correspondents would hesitate to print untrue, but nevertheless insidious, news items concerning Harvard...
...Fogg Museum has recently received by gift a very fine impression of Whistler's etching, the "Furnace Nocturne." It is one of the Venice subjects, and belongs to the set known as the "Twenty-six Etchings" published in 1886. In the printing, Whistler produced a tone upon the plate, making it a "nocturne," one of the few plates treated in this way. This print is a distinct addition to the print collection of the Fogg Museum...