Word: printings
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Dates: during 1930-1939
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...public affairs the well trained young people of high character and ability. . ." This crowd, by the way, is being partly supported by one of the biggest conservative bankers that ever issued a note. . . This bright-young-men-in-the-government stuff is O.K., but you never see in print what specific reforms they think are necessary. Someone would perform a great service if they'd get out a definite plan for reform. Then the good man Friday of the New Deal would have something to oppose. As it is, he just smiles safely behind the smoke screen of those reformers...
Wilson. Long before Wilson & Co. profits were announced last week, financial writers were busy calculating in print how large a dividend Wilson could declare under the recapitalization plan announced last month. With dividend arrears of $26.25 per share on the 7% preferred and $20 per share on the Class A, the board of directors had approved a scheme for substituting 1) 1,4292 shares of new $6 cumulative preferred for each share of 7% preferred and arrears; 2) five shares of new common stock for each share of Class A and arrears; 3) one share of new common stock...
...last fortnight the venerable Portland Oregonian felt obliged to print the foregoing "plain statement of facts'' in a two-column box on its front page. It may have helped squelch a false rumor, but it could not make the Oregonian's 92.500 readers understand what had happened to their newspaper in the past month. Still dazed were they from that November morning when they saw. for the first time, a picture at the top of Page One. It illustrated not a world calamity but an ordinary sob-story...
Because of the significance of this first authoritative report on the tutorial system the CRIMSON will print it in full, commencing Monday...
Since 1930, his scrawls of impotent, amorphous men and women and sad-eyed hounds have gained him international fame. They are enormously funny, and like most lasting humor, are the products of an unhappy mind. Three Thurber drawings that his associates on The New Yorker would never print were on view in his exhibition last week. Two were blasphemous: The Thurber Madonna and The Three Wise Men (three goggle-eyed oldsters smirking behind their hands at something that might be the Virgin). The third was The Gates of Life. Glum pedestrians hustled by in the background; sprawled on the grass...