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...sheer number of productions he has starred in, Priour says, “I’d say there are about two big letters of apology that I have to send to my TFs every semester.” Performing on stage has always been one of Priour??s passions. “I was raised in a very small town in Texas, and around those parts I was known as the thespian guy,” he says. When Priour heard that about 10 to 20 student-run theater productions are shown every semester at Harvard...

Author: By Bram A. Strochlic, CRIMSON STAFF WRITER | Title: Jonah C. Priour ’09 | 5/1/2009 | See Source »

...role was still daunting. Priour??s character is a part-time “club designer” from New York City, a gay man who glories in his own flamboyance. And Priour isn’t just playing any gay character—he’s playing one of the leads of “Angels in America,” Tony Kushner’s groundbreaking, quintessential play about being gay in America...

Author: By Lois E. Beckett, CRIMSON STAFF WRITER | Title: Building Character for 'Angels in America' | 4/10/2009 | See Source »

...play’s potential dangers is that a performance can easily become mired in weighty pondering, losing the play’s comedy and energetic pace. However, in the hands of a competent cast, the richness of the play becomes a great asset. The intellectual sparring between Priour??s tutor and Wright’s pupil runs the gamut from Shakespearean allusions to iterated algorithms but is made human by two sensitive and intelligent performances. Every erudite punchline is properly parsed out and correctly timed; neither of them miss a beat. Their relationship becomes more serious...

Author: By Davis S. Wallace, CONTRIBUTING WRITER | Title: Stoppard's 'Arcadia' Works | 4/8/2008 | See Source »

...also infuriating in his utter spinelessness—while hinting at being seriously imbalanced. Despite these handicaps, Priour and Kargman work together to make Rosalie’s love for him reasonable. Kargman lends her character a slightly more conventional, childlike quality that matches well with Priour??s quirkier style...

Author: By Elisabeth J. Bloomberg, CRIMSON STAFF WRITER | Title: ‘Oh Dad’ Delivers Wry Wit | 11/4/2007 | See Source »

When a jabbering, flourescently-dressed Marielle E. Woods ’08 first strutted onto the stage of “Reception” with a shell-shocked Jonah C. Priour ’09 in tow, I followed Priour??s example and settled back into my seat in chagrined resignation. Woods’ schizophrenic movements within the confines of the bedroom set was quickly making me claustrophobic, and I thought that the rest of the play would be similarly overdone...

Author: By April B. Wang, CRIMSON STAFF WRITER | Title: ARTSMONDAY: A Warm Welcome For Loeb Ex Play | 4/9/2007 | See Source »

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