Word: prismas
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Dates: during 1978-1978
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...frustrating incoherence marred both Ann diFruscia's "Prisma" and Elizabeth S.-Wilkerson's "When the Street Lights Come On," accenting the uneven choreography of the company. In "Prisma," large wooden angles and U-shapes hung at the back of the stage, suggesting the organizing principle of the choreography. At its best, the dance was forthright and geometric, firmly asserted on the ground and in space as a series of poses blocked and held. Too much of its tedious time-span, however, was cluttered with extraneous movement: what should have been an architecture of simplicity was badly in need of discipline...
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