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Ashbery received the Pulitzer Prize, National Book Critics Circle Award and the National Book Award for his 1975 book, Self-Portrait in a Convex Mirror. He was the first English-language poet to win the Grand Prix de Biennales Internationales de Posie. He has also taken the Ruth Lilly Poetry Prize, the MLA Common Wealth Award in Literature, the Frank O'Hara Prize, the Bollingen Prize, the English Speaking Union Prize, as well as many others...

Author: By John Ashbery, CRIMSON STAFF WRITER | Title: Advocate to Avant-Garde: Ashbery Leads Modern Poetry | 6/7/1999 | See Source »

Sculptor Patrick Strzelec has work in several museums nationwide and has received a John Simon Guggenheim fellowship and the Prix de Rome, in addition to other awards...

Author: By Joseph P. Chase, CONTRIBUTING WRITER | Title: VES Visitors | 5/17/1999 | See Source »

Whatever hopes Gina may have harbored were crushed last week when authorities found the burned-out Pontiac Grand Prix that had been rented by Gina's mother Carole Sund, 42, for a holiday trip to Yosemite National Park with her daughter Julie, 15, and Silvina Pelosso, 16, a friend from Argentina. Opening the trunk of the charred wreck, hidden 100 yds. off a remote highway, law-enforcement officials discovered two bodies. By week's end, the victims had not yet been identified nor the cause of death released. There was some speculation that the blaze was so intense, a third...

Author: /time Magazine | Title: Evidence Of Murder | 3/29/1999 | See Source »

...Planet of the Apes" or "Gamera," but the sci-fi classic Fantastic Planet, which won the Grand Prix at The Cannes Film Festival 25 years ago, is back at the Brattle in all of its French, animated glory. Follow life on Yagan, a planet led by 10 foot humanoids called Draggs that treat "Oms" (human beings) like house pets. Brattle Theatre, 40 Brattle Square...

Author: NO WRITER ATTRIBUTED | Title: FRIDAY MAR 5 | 3/4/1999 | See Source »

...always liked to hold a large number of people at different depths in his frames, and that serves well the tense interplay of the actors when they're plotting and scheming. It also provides a nice contrast to the car chases that are another Frankenheimer specialty (Remember Grand Prix?). He loves sending his vehicles screeching through narrow European streets, and he apparently loves trying to top himself, because there are three such sequences here. They are done the old-fashioned way, by stunt drivers, which gives these thrill sequences an immediacy, a nervy elan that special-effects techies...

Author: /time Magazine | Title: Cinema: Abstractly Expressive | 9/21/1998 | See Source »

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