Word: prix
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...land of Michelangelo, Garibaldi and the Medicis there reigns a vast and unusual variety of contemporary heroes. The Italians idolize Grand Prix drivers, artists, novelists and occasionally Sicilian banditti. They fall barely short of adoring Nino Benvenuti, the boxing champion. They lavish attention on their celebrated movie directors-Antonioni, Fellini, Rossellini. And who, of course, could overlook Gina or Sophia...
...white rage, fire-bombing of Dresden-which he lived through as a war prisoner. In Pictures of Fidelman, Bernard Malamud writes of an impoverished painter who outwits a gang of forgers who force him to turn out a new Titian. From Paris comes The Fruits of Winter, the new Prix Goncourt winner that was the occasion for enough scheming and plotting on the part of the prize jury (TIME, Nov. 29) to provide material for a brilliant satire. The winning author is Bernard Clavel, and his story, modeled on his parents' life, is about the bitter years...
...wish there were more to say about films like these. A year and a half ago Hollywood's apparent but inconclusive degeneration could justify enough nervousness to take the time to carefully pull apart a God-awful film like Frankenheimer's Grand Prix; but these days it's harder to get mad and, as things stand, I guess Ice Station Zebra isn't all that bad. It has the potential for being a good picture, but hanging over it are the ghosts of rewrite, of producer Martin Ransohoff whittling away at anything individual, leaving a gutless synthetic: sure-fire product...
What They Bought. The '69 model buyers tend to go to extremes in their choices. Luxury cars and economy compacts are both selling well, proving Detroit's contention that there are two ways for the market to grow. The fastest-rising car is Pontiac's Grand Prix, which has an electric rear-window defroster and the longest hood in the industry and retails for $3,777 without extras. Pontiac sold 24,874 of them in October and November, more than during all of the 1968 model year...
...have been rude about Hector Berlioz," says English Conductor Colin Davis, and he wishes they would quit. Alas, poor Berlioz has suffered more than his share. In 1829, when he was 25, he submitted his passionately theatrical piece for soprano and orchestra, Cléopâtre, to the Prix de Rome committee. It was rejected with a scolding from one of the judges, who said, "You refuse to write like everybody else. Even your rhythms are new. You would invent new modulations if such a thing were possible." The story goes that when Gioachino Rossini was shown Berlioz...