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...GRAND PRIX. With the help of Cinerama, Metrocolor and Super Panavision, Director John Frankenheimer has captured much of the excitement-and all of the noise-in last year's nine-race Grand Prix competition for Formula One racing cars. Top billing goes to Yves Montand, James Garner, Eva Marie Saint and Francoise Hardy, but the true stars are the cars, performing in some of the most spectacular sequences ever filmed of metal in motion...

Author: /time Magazine | Title: Television: Jan. 20, 1967 | 1/20/1967 | See Source »

...Grand Prix. The Formula One is the thoroughbred of racing cars. Nothing on wheels is quite so sophisticated. Formula Ones can cost up to $100,000 to build, and as much again to maintain for a single racing season. Twelve feet long and elegantly slender, they look like bright green, blue, red, purple dragonflies perched on fat black feet. Though the cars weigh a mere 1,100 Ibs., their three-liter engine develops more than 375 h.p., and they can dart down a straightaway at better than 200 m.p.h. At full bore, a Formula One handles so neurotically that...

Author: /time Magazine | Title: Cinema: Metal in Motion | 1/13/1967 | See Source »

Eleven major races will be held next season at eleven Grand Prix courses.* Last season, as the top drivers varoomed the circuit, they were tailgated by Director John Frankenheimer and 16 camera teams. By season's end, at a cost of $7,500,000, Frankenheimer & Co. had shot 1,000,000 film feet of Formula One racing-some of it real, some of it rigged, all of it in Metrocolor of admirable luster. Out of this ava lanche of acetate, the director has constructed a motion picture that crams the supercolossal Super Panavision screen with some of the most...

Author: /time Magazine | Title: Cinema: Metal in Motion | 1/13/1967 | See Source »

...Gallic Streicher or an urban Schweitzer? His books illustrate rather than resolve the paradox. When Journey to the End of the Night detonated on the French literary scene in 1932 (there were riots when it did not receive that year's Prix Goncourt), it was like an explosion of excrement. The doctor who had a profound vocation for healing wrote of his pitiable patients with derision and rage. If he was antiSemitic, he also detested Christians...

Author: /time Magazine | Title: Books: Rage Against Life | 1/13/1967 | See Source »

...point is clear: if, for reason or reasons unknown, you find yourself in the Cinerama Theatre one night, stick around for the opening of the curtain and then leave fast. As interesting, even amusing, storytelling, Grand Prix is just this side of wretched; as film-making, Grand Prix is (no pun intended) the pits...

Author: By Sam Ecureil, | Title: Grand Prix | 1/6/1967 | See Source »

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